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Asian Section

0543

Asian Section

0543

Asian Section

0543

This is a finding aid. It is a description of archival material held at the University of Pennsylvania. Unless otherwise noted, the materials described below are physically available in our reading room, and not digitally available through the web.

Summary Information

Repository:
University of Pennsylvania: Penn Museum Archives
Creator:
Culin, Stewart, 1858-1929
Creator:
Gordon, G. B. (George Byron), 1870-1927
Title:
Asian Section
Date [inclusive]:
1890-1969
Call Number:
0543
Extent:
1.6 Linear feet
Language:
English
Container:
1
Abstract:
The Asian Section collection includes correspondence and receipts all dealing with the donation or sale of artifacts to the Penn Museum from 1890 to 1969. Artifacts are mostly from China, Korea, and Japan. Notable donors include Stewart Culin, William Pepper, Phoebe Hearst, and Worch of Paris, C.T. Loo, and Yamanaka and Co.
PDF Version:

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Summary Information

Repository:
University of Pennsylvania: Penn Museum Archives
Creator:
Culin, Stewart, 1858-1929
Creator:
Gordon, G. B. (George Byron), 1870-1927
Title:
Asian Section
Date [inclusive]:
1890-1969
Call Number:
0052
Extent:
1.6 Linear feet
Language:
English
Container:
1
Abstract:
The Asian Section collection includes correspondence and receipts all dealing with the donation or sale of artifacts to the Penn Museum from 1890 to 1969. Artifacts are mostly from China, Korea, and Japan. Notable donors include Stewart Culin, William Pepper, Phoebe Hearst, and Worch of Paris, C.T. Loo, and Yamanaka and Co.
PDF Version:

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Summary Information

Repository:
University of Pennsylvania: Penn Museum Archives
Creator:
Fernald, Helen E., 1921-1964
Title:
Helen E. Fernald papers
Date [bulk]:
1921-1935
Date [inclusive]:
1921-1937
Call Number:
0025
Extent:
0.8 Linear feet
Language:
English
Abstract:
Helen E. Fernald was employed at The University Museum from 1921-1935 as the head of the Educational Department from 1921-25, was the Assistant Curator of Far Eastern Art from 1925-30, and the Curator from 1930-35. Fernald’s first trip abroad for the museum was in the summer of 1928 to study in the museums and private collections of Far Eastern art in Paris and at the British Museum in London. Her second trip was from June – December of 1929 to Japan, Korea, and China to study collections or conduct scientific researches. Her trips were a success, having brought back many artifacts from the Far East such as bronzes, sculptures, porcelains, etc. The Helen E. Fernald papers consist of eleven folders in two archival boxes of correspondence.
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Biography/History

The University of Pennsylvania Museum began its collection of ethnographic objects and art from Asia almost as soon as the museum was founded in 1889. A number of Japanese, Korean and Chinese objects, including costumes, porcelains and household goods were donated to the museum as early as 1890. The Oriental section was established in 1892 with Stewart Culin as curator. In an attempt to acquire more objects from the East, Culin staged an exhibit of the museum's collection at the World's Columbian Exhibition in Chicago in 1893.

The first display of Buddhist images occurred in 1899 with an elaborate altar and colorful panels and hangings. The objects and images had been supplied by Maxwell Sommerville, the founder of the museum's Buddhist and engraved gem collections. The exhibit received mixed reviews from the press and audience. However, Buddhist images would continue to be important to the museum's representation of the cultures of Asia throughout its history.

Before 1899, the Asian collection was displayed along the staircase of the University Library tower. The objects were moved into the new Museum building upon construction and found a permanent home in the rotunda above the museum auditorium in 1916. The "Chinese rotunda" hosted the "first million dollar show" according to Board member Percy C. Madeira in 1916. Represented in the display of objects available for purchase for the museum's permanent collection were Chinese porcelains from the J.P. Morgan Collection, Chinese art from the Duveen Brothers of London, jade vessels and sculptures from Worch of Paris and paintings and reliefs from dealer C.T. Loo of New York, all on loan for the show. The news media reminded its readers that the great collection would be lost to the city "if no wealthy Philadelphian takes a notion to purchase it."

In 1915 and 1916, Carl W. Bishop, the Assistant Curator of Oriental Art, carried out a University of Pennsylvania Museum-sponsored archaeological reconnaissance in China, Korea, and Japan. Bishop again conducted a foray in 1917 and 1918 but excavation was blocked by politics, internal rebellion in China and problems with amassing a work crew and finding enough money to proceed. Eventually, Bishop did excavate at Anyang, China in 1929 while serving as Associate Curator at the Freer Galleries in Washington. C. W. Bishop's presence in China between 1915 and 1918 later led to his being implicated in the controversy surrounding the University of Pennsylvania Museum's acquisition of two stone reliefs depicting the favorite war chargers of the Emperor T'ang T'ai-Tsung, founder of the T'ang Dynasty (618-906 A.D.). The two sculptures of the horses Curly and Autumn Dew are currently on display in the Chinese rotunda of the University of Pennsylvania Museum. These sculptures were originally part of a set of six horse sculptures surrounding the Emperor's tomb in Shanxi Province where they were photographed in 1909 by Edouard Chavannes. In 1917, Bishop saw the remaining four sculptures in the Hsi-an museum where he was told that the reliefs of Curly and Autumn Dew had been taken to Beijing by the military government. The latter sculptures were purchased by the University of Pennsylvania Museum from the New York dealer C. T. Loo in 1918.

The T'ang horses continued to be surrounded by controversy after their arrival at the Museum. Disputes about the authenticity of the sculptures and whether they represented the seventh-century originals or later reproductions persisted through the 1920's and 1930's. (see "In Defence of the Horses of T'ang T'ai-Tsung", by Helen E. Fernald in the folder "Horses of T'ang T'ai-Tsung.") The legal and moral justifiability of the acquisition of the sculptures by the University of Pennsylvania Museum was also questioned particularly when it was discovered that the inscription accompanying the four sculptures remaining in Hsi-an claimed that the T'ang sculptures in the University of Pennsylvania Museum had been removed from China at the instigation of an American imperialist presumed to be Bishop. In 1978, Derk Bodde presented to Chang Yu-lang, Deputy Director of the Shanxi Provincial Bureau of Culture, documentation that the sculptures had been purchased by a New York dealer and that C. W. Bishop had played no role in their removal from China.

With the exception of early trips by William H. Furness, Alfred C. Harrison and Hiram M. Hiller in 1895 and some "archeaological reconnaissance" by Carl W. Bishop, no excavations in China have been conducted by the museum. Almost all of the collections were assembled through purchase and donations. George Byron Gordon, Assistant Curator of the General Ethnology section of the museum from 1903 until his appointment as Director in 1910 devoted considerable time and energy to acquiring Asian antiquities worthy of museum display. It was Gordon who recruited Carl W. Bishop in 1914.

Following the death of George Byron Gordon, Eldridge R. Johnson, founder of the Victor Talking Picture Company, presented the Gordon Memorial to the museum. This gift included magnificent carvings on semi-precious stone, eventually displayed at the Philadelphia Museum of Art, and the famous Crystal Ball a treasure of the Imperial Palace in Peking.

George B. Gordon was succeeded as Assistant Curator by Carl W. Bishop (1914-1918). Following Bishop's tenure the Asian section has had a succession of curators with gaps between service when the section was represented by a Research Consultant or Keeper of the collection.

Biography/History

The University of Pennsylvania Museum began its collection of ethnographic objects and art from Asia almost as soon as the museum was founded in 1889. A number of Japanese, Korean and Chinese objects, including costumes, porcelains and household goods were donated to the museum as early as 1890. The Oriental section was established in 1892 with Stewart Culin as curator. In an attempt to acquire more objects from the East, Culin staged an exhibit of the museum's collection at the World's Columbian Exhibition in Chicago in 1893.

The first display of Buddhist images occurred in 1899 with an elaborate altar and colorful panels and hangings. The objects and images had been supplied by Maxwell Sommerville, the founder of the museum's Buddhist and engraved gem collections. The exhibit received mixed reviews from the press and audience. However, Buddhist images would continue to be important to the museum's representation of the cultures of Asia throughout its history.

Before 1899, the Asian collection was displayed along the staircase of the University Library tower. The objects were moved into the new Museum building upon construction and found a permanent home in the rotunda above the museum auditorium in 1916. The "Chinese rotunda" hosted the "first million dollar show" according to Board member Percy C. Madeira in 1916. Represented in the display of objects available for purchase for the museum's permanent collection were Chinese porcelains from the J.P. Morgan Collection, Chinese art from the Duveen Brothers of London, jade vessels and sculptures from Worch of Paris and paintings and reliefs from dealer C.T. Loo of New York, all on loan for the show. The news media reminded its readers that the great collection would be lost to the city "if no wealthy Philadelphian takes a notion to purchase it."

In 1915 and 1916, Carl W. Bishop, the Assistant Curator of Oriental Art, carried out a University of Pennsylvania Museum-sponsored archaeological reconnaissance in China, Korea, and Japan. Bishop again conducted a foray in 1917 and 1918 but excavation was blocked by politics, internal rebellion in China and problems with amassing a work crew and finding enough money to proceed. Eventually, Bishop did excavate at Anyang, China in 1929 while serving as Associate Curator at the Freer Galleries in Washington. C. W. Bishop's presence in China between 1915 and 1918 later led to his being implicated in the controversy surrounding the University of Pennsylvania Museum's acquisition of two stone reliefs depicting the favorite war chargers of the Emperor T'ang T'ai-Tsung, founder of the T'ang Dynasty (618-906 A.D.). The two sculptures of the horses Curly and Autumn Dew are currently on display in the Chinese rotunda of the University of Pennsylvania Museum. These sculptures were originally part of a set of six horse sculptures surrounding the Emperor's tomb in Shanxi Province where they were photographed in 1909 by Edouard Chavannes. In 1917, Bishop saw the remaining four sculptures in the Hsi-an museum where he was told that the reliefs of Curly and Autumn Dew had been taken to Beijing by the military government. The latter sculptures were purchased by the University of Pennsylvania Museum from the New York dealer C. T. Loo in 1918.

The T'ang horses continued to be surrounded by controversy after their arrival at the Museum. Disputes about the authenticity of the sculptures and whether they represented the seventh-century originals or later reproductions persisted through the 1920's and 1930's. (see "In Defence of the Horses of T'ang T'ai-Tsung", by Helen E. Fernald in the folder "Horses of T'ang T'ai-Tsung.") The legal and moral justifiability of the acquisition of the sculptures by the University of Pennsylvania Museum was also questioned particularly when it was discovered that the inscription accompanying the four sculptures remaining in Hsi-an claimed that the T'ang sculptures in the University of Pennsylvania Museum had been removed from China at the instigation of an American imperialist presumed to be Bishop. In 1978, Derk Bodde presented to Chang Yu-lang, Deputy Director of the Shanxi Provincial Bureau of Culture, documentation that the sculptures had been purchased by a New York dealer and that C. W. Bishop had played no role in their removal from China.

With the exception of early trips by William H. Furness, Alfred C. Harrison and Hiram M. Hiller in 1895 and some "archeaological reconnaissance" by Carl W. Bishop, no excavations in China have been conducted by the museum. Almost all of the collections were assembled through purchase and donations. George Byron Gordon, Assistant Curator of the General Ethnology section of the museum from 1903 until his appointment as Director in 1910 devoted considerable time and energy to acquiring Asian antiquities worthy of museum display. It was Gordon who recruited Carl W. Bishop in 1914.

Following the death of George Byron Gordon, Eldridge R. Johnson, founder of the Victor Talking Picture Company, presented the Gordon Memorial to the museum. This gift included magnificent carvings on semi-precious stone, eventually displayed at the Philadelphia Museum of Art, and the famous Crystal Ball a treasure of the Imperial Palace in Peking.

George B. Gordon was succeeded as Assistant Curator by Carl W. Bishop (1914-1918). Following Bishop's tenure the Asian section has had a succession of curators with gaps between service when the section was represented by a Research Consultant or Keeper of the collection.

Biography/History

Helen Elizabeth Fernald was born in 1891 in Baltimore, Maryland and died in 1964. Fernald attended high school in Amherst, Massachusetts where she graduated in 1910. Going on to receive her A.B. from Mount Holyoke in South Hadley, MA in 1914, Fernald was both an O.B.K. and Mary Lyon Scholar in Art and Archeology in Zoology. After graduation, Fernald attended art school at the Art Students League in New York City, from 1914-1915. While attending art school, Fernald worked as an artist and technician in the Department of Zoology at Columbia University. This position was held for three years, from 1915-1918. During this time, Fernald did her graduate work at Columbia Teachers’ College from 1916-1918. Then, from 1918-1921, Fernald became both an Instructor and Demonstrator in History of Art at Bryn Mawr College. During her three years at Bryn Mawr from 1918-1921, Fernald also did graduate work at the institution.

From 1921-1935 Fernald was an employee of The University Museum in Philadelphia, PA. From 1921-1925, she was the head of the Educational Department. From 1925-1930, Fernald was the Assistant Curator of Far Eastern Art and from 1930-1935, she was the Curator.

In the summer of 1921, Fernald traveled abroad to Italy, Switzerland, France, and England. Because of this, she was unable to start her new position at The University Museum until September as head docent. Much of her time was spent looking for Far Eastern art pieces for the museum’s collection. Once Fernald became the Assistant Curator of Far Eastern Art, she was sent to study in Museums and Private Collections in Paris, at the British Museum in London and attended the International Congress of Oriental Societies at Oxford in 1928. Fernald’s time was spent looking at collections, lecturing and writing. At this time, Fernald was a member of both the American Oriental Society and the Philadelphia Art Alliance. During this time in Paris, Fernald was searching for frescoes and visited many private collections, especially the collection of Mr. C.T. Loo. In April of 1929, Fernald was approved to go to China, and so, from June-December of 1929, she was sent by the museum to Japan, Korea, and China to study collections or conduct scientific research. Despite the summer heat, Fernald managed to have a successful trip for the museum.

From 1932-1935, Fernald taught two courses at the museum: Series of seven Round Table Talks and Chinese Painting Seminar as well as teaching 23 lectures illustrated with lantern slides, called “Talks on Art Appreciation and History.” Upon leaving the museum in 1935, Fernald set out for Orlando, Florida where she corresponded with the museum sparingly for the next two years.

Fernald was most known for being a writer, art educator, painter, and lecturer and is remembered by numerous publications in The Museum Journal, various newspaper articles and reviews, lectures, and several books.

Scope and Contents

The textual records from the Asian Section collection series consists of 1.6 linear feet of correspondence and receipts. The records have been compiled from donors from 1890 to 1969.

The collection consists primarily of letters, correspondence, shipping information, invoices, insurance data, and receipts of artifacts bought or exhibited by the Museum, or donated to the Museum as well as background information on the artifacts. Notable donors as well as correspondents include Stewart Culin, William Pepper, Phoebe Hearst, and Worch of Paris, C.T. Loo, and Yamanaka and Co..

There is also a translation of the text “Discriptive (sic) of the Illustrations of the 47 Ronins,” collection No. 639.

Other Museum Archives records related to this collection can be found in: Carl W. Bishop papers and Helen E. Fernald papers.

Scope and Contents

The textual records from the Asian Section collection series consists of 1.6 linear feet of correspondence and receipts. The records have been compiled from donors from 1890 to 1969.

The collection consists primarily of letters, correspondence, shipping information, invoices, insurance data, and receipts of artifacts bought or exhibited by the Museum, or donated to the Museum as well as background information on the artifacts. Notable donors as well as correspondents include Stewart Culin, William Pepper, Phoebe Hearst, and Worch of Paris, C.T. Loo, and Yamanaka and Co..

There is also a translation of the text “Discriptive (sic) of the Illustrations of the 47 Ronins,” collection No. 639.

Other Museum Archives records related to this collection can be found in: Carl W. Bishop papers and Helen E. Fernald papers.

Scope and Contents

The Helen E. Fernald papers consist of two archival boxes of textual material of 0.8 linear feet. These boxes make of one series: correspondence, which are contained in eleven folders. The records have been compiled to and from Helen E. Fernald in chronological order.

The correspondence, dated from 1921-1937, consist primarily of letters to and from Helen E. Fernald regarding collections, lectures Fernald taught, articles she published, and her day-to-day activity while abroad as well as statements of expense accounts and receipts from abroad.

Administrative Information

Publication Information

University of Pennsylvania: Penn Museum Archives,  08/14/12

Publication Information

University of Pennsylvania: Penn Museum Archives,  08/14/12

Publication Information

University of Pennsylvania: Penn Museum Archives,  6/27/2012

Finding Aid Author

Finding aid prepared by Gina Gariffo

Finding Aid Author

Finding aid prepared by Gina Gariffo

Finding Aid Author

Finding aid prepared by Gina Gariffo

Revision Description

 5/22/13

Revision Description

 5/22/13

Revision Description

 5/9/13

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Controlled Access Headings

Corporate Name(s)
  • Worch of Paris .
  • Yamanaka and Co..
Personal Name(s)
  • Bishop, Carl Whiting, b. 1881-d.1942
  • Fernald, Helen Elizabeth, b. 1921-d. 1937
  • Getz, John, b. 1853?
  • Hearst, Phoebe Apperson, 1842-1919
  • Johnson, Eldridge Reeves, b. 1867-d. 1945
  • Loo, C.T., b.1880-d.1957
  • Lyons, Elizabeth, b. 1912-d. 1989
  • McCartee, Divie Bethune, Dr., b. 1820-d.1900
  • Pepper, William, 1843-1898
  • Scott, Alexander
  • Scott, Hugh, Senator, b. 1900-D.1994
  • Stevenson, Sara Yorke, 1847-1921
  • Wanamaker, John, 1838-1922

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Controlled Access Headings

Corporate Name(s)
  • Worch of Paris .
  • Yamanaka and Co..
Personal Name(s)
  • Bishop, Carl Whiting, b. 1881-d.1942
  • Fernald, Helen Elizabeth, b. 1921-d. 1937
  • Getz, John, b. 1853?
  • Hearst, Phoebe Apperson, 1842-1919
  • Johnson, Eldridge Reeves, b. 1867-d. 1945
  • Loo, C.T., b.1880-d.1957
  • Lyons, Elizabeth, b. 1912-d. 1989
  • McCartee, Divie Bethune, Dr., b. 1820-d.1900
  • Pepper, William, 1843-1898
  • Scott, Alexander
  • Scott, Hugh, Senator, b. 1900-D.1994
  • Stevenson, Sara Yorke, 1847-1921
  • Wanamaker, John, 1838-1922
Subject(s)
  • Art history
  • Material culture
  • Tang horses

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Controlled Access Headings

Corporate Name(s)
  • Yamanaka and Co..
Form/Genre(s)
  • Correspondence
Personal Name(s)
  • Bishop, Carl Whiting, b. 1881-d.1942
  • Fernald, Helen E., 1921-1964
  • Gordon, G. B. (George Byron), 1870-1927
  • Jayne, Horace Howard Furness, 1898-1975
  • Loo, C.T., b.1880-d.1957
Subject(s)
  • Antiquities
  • Art history

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Collection Inventory

Administration, 1894-1927.

Box

Stewart Culin-Sara Yorke Stevenson correspondence, 1890-1902.

1

Stewart Culin-section reports 1899-1902.

1

Stewart Culin-exhibits.

1

General, 1901-1975.

1

John Getz-correspondence, 1912-1920.

1

John Getz-Porcelain list.

1

Cammann hiring, 1947-1949.

1

Sales-object information, 1942-1969.

1

Sales controversy, 1958-1974.

1

Freer Gallery-repair/analysis, 1961-1963.

1

Chinese jade exhibit 1962-1963 (1 of 3).

1

Chinese jade exhibit 1962-1963 (2 of 3).

1

Chinese jade exhibit 1962-1963 (3 of 3).

1

Senator Hugh Scott exhibit 1967.

1

Textile deaccession 1969.

1

Elizabeth Lyons 1969.

1

Chinese porcelain sale 1970-1977.

1

Chinese objects sale 1974 (1 of 3).

1

Chinese objects sale 1974 (2 of 3).

1

Chinese objects sale 1975 (3 of 3).

1

Chinese scroll sale 1975-1976.

2

Netsuke sale 1975-1977.

2

Sales-Sotheby Parke Bernet, 1968-1976.

2

Sales-Freeman 1969-1970 (1 of 2).

2

Sales-Freeman 1970-1977 (2 of 2).

2

Sales-Christie's 1975.

2

Collections.

Box

Belfield, T. Broom, 1927-1976 (Bulk, 1927) .

2

Bell, Laura 1939.

2

Bowles, Gordon, 1932-1942.

2

Braddock, Charles 1906.

2

Chait, Ralph (1 of 2), 1922-1932.

2

Chait, Ralph (2 of 2), 1933-1939.

2

Cochrane, Constance 1962.

2

Commercial Museum, 1933-1940.

2

Crawford, Joseph, 1894-1897.

2

Duveen Brothers 1915-1916.

2

Duveen Brothers 1917-1918.

3

Duveen Brothers 1918-1932.

3

Duveen Brothers Misc. Undated lists..

3

Edmunds, Albert J. 1898.

3

Ehrenfels, Dr. U.R. 1950.

3

Farnum, George L. and J. Edward 1898.

3

Forman, Martin 1963.

3

Fuller, Mrs. Lawrence C. 1976.

3

Getz, Edward, 1914-1917.

3

Gresham, Lt. Col. William A. 1966.

3

Haines Jr., Robert B. 1898.

3

Harden, John H. 1892.

3

Hayakawa, R. (J.K. Matumoto).

2

Hearst, Phoebe 1896.

3

Hoffman, William G., 1953-1954.

3

Huang, T.M., 1912-1916.

3

Johnson, Eldridge 1928.

3

Kevorkian, H. 1940.

3

Knight, Dr. Albert P. 1961.

3

Kuki, R. 1895.

3

Kusakabe, K. 1915.

3

Kwan Vok Tsoo.

3

Landis, Eli Barr M.D., 1890-1898.

3

Leaming, Thomas 1900.

3

Livingston, Katherine 1898.

3

Long, Dr. Esmond R. 1955.

3

Loo, C.T. (Lai-Luan and Co.) 1915-1916.

3

Loo, C.T. 1917-1918.

3

Loo, C.T. 1919-1921.

4

Loo, C.T. 1922-1924.

4

Loo, C.T. 1925.

4

Loo, C.T. 1926.

4

Loo, C.T. 1927-1928.

4

Loo, C.T. 1929-1937.

4

Loo, C.T. 1938-1940.

4

Loo, C.T. T'ang Horses 1918-1928.

4

Loo, C.T. T'ang Horses 1970-1988.

4

Lyman, Benjamin Smith (Dr. D.B. McCartee), 1900-1902.

4

Lyne, Henry 1969.

4

Macauley, L.C., 1895-1896.

4

Mason, O. T. 1892.

4

Mayer Collection Scythian bronzes.

5

Metcalfe Collection, 1930-1935.

5

Mirick, Henry D. 1966.

5

Mitchell, J. Clayton 1942.

5

Morse, Edwin J. 1895.

5

Mumford, E. N.

5

Naguchi, Hideyo.

5

Otaki, Harumasa, 1901-1902.

5

Pepper, William 1891.

5

Roberts, Graham.

5

Salada Tea Company, 1960-1962.

5

Scott, Alexander 1914-1915.

5

Scott, Alexander 1916.

5

Scott, Alexander 1917-1919.

5

Scott, Alexander 1920-1924.

5

Scott, Alexander 1925-1948.

5

Scott, Alexander Accounts 1915-1921.

5

Scott, Alexander Indian Collection (1 of 2).

5

Scott, Alexander Indian Collection (2 of 2).

5

Scott, Alexander Tibetan Collection (1 of 3).

5

Scott, Alexander Tibetan Collection (2 of 3).

5

Scott, Alexander Tibetan Collection (3 of 3).

5

Service, Robert R. Collection 1950.

5

Shufeldt, Mary 1899.

5

Sickman, Laurence, 1968-1971.

5

Spink and Son, Ltd., 1914-1915.

5

Starr, Edward 1896.

5

Stevenson, Cornelius 1900.

5

Stevenson, Sara Y. 1897.

5

Stoney, Dr. F. J. W. 1898.

5

Thomson, Harry C., 1891-1899.

5

Ton-Ying and Co., 1921-1926.

5

Turner, James H., 1970-1971.

5

Tyndale, Robinson 1897.

6

Vignier, M. Charles, 1919-1924.

6

Wanamaker, John, 1921-1927.

6

Weinstein, Dr. Philip, 1965-1966.

6

Williams, Edward H. 1890.

6

Wright, Joseph, 1901-1902.

6

Worch of Paris (1 of 3), 1908-1922.

6

Worch of Paris (2 of 3), 1923-1925.

6

Worch of Paris (3 of 3), 1925-1948.

6

Yamanaka and Co. (1 of 3), 1899-1924.

6

Yamanaka and Co. (2 of 3), 1925-1936.

6

Yamanaka and Co. (3 of 3), 1938-1942.

6

Yokoyama, K. 1916.

6

Miscellaneous.

6

Samurai notes.

6

Horseman relief of Kashmir.

6

Indian Collection receipts 1912,1925.

6

Manuscript and notes on collections.

6
Drawer

Mc Cartee rubbings.

M 6-7
Box

Loo, C.T. Johnson Collection jades 1929-1931.

4
Drawer

T'ang horse drawings.

M 8-9

Collection Inventory

Administration, 1894-1927.

Box

Stewart Culin-Sara Yorke Stevenson correspondence, 1890-1902.

1

Stewart Culin-section reports 1899-1902.

1

Stewart Culin-exhibits.

1

General, 1901-1975.

1

John Getz-correspondence, 1912-1920.

1

John Getz-Porcelain list.

1

Cammann hiring, 1947-1949.

1

Sales-object information, 1942-1969.

1

Sales controversy, 1958-1974.

1

Freer Gallery-repair/analysis, 1961-1963.

1

Chinese jade exhibit 1962-1963 (1 of 3).

1

Chinese jade exhibit 1962-1963 (2 of 3).

1

Chinese jade exhibit 1962-1963 (3 of 3).

1

Senator Hugh Scott exhibit 1967.

1

Textile deaccession 1969.

1

Elizabeth Lyons 1969.

1

Chinese porcelain sale 1970-1977.

1

Chinese objects sale 1974 (1 of 3).

1

Chinese objects sale 1974 (2 of 3).

1

Chinese objects sale 1975 (3 of 3).

1

Chinese scroll sale 1975-1976.

2

Netsuke sale 1975-1977.

2

Sales-Sotheby Parke Bernet, 1968-1976.

2

Sales-Freeman 1969-1970 (1 of 2).

2

Sales-Freeman 1970-1977 (2 of 2).

2

Sales-Christie's 1975.

2

Collections.

Box

Belfield, T. Broom, 1927-1976 (Bulk, 1927) .

2

Bell, Laura 1939.

2

Bowles, Gordon, 1932-1942.

2

Braddock, Charles 1906.

2

Chait, Ralph (1 of 2), 1922-1932.

2

Chait, Ralph (2 of 2), 1933-1939.

2

Cochrane, Constance 1962.

2

Commercial Museum, 1933-1940.

2

Crawford, Joseph, 1894-1897.

2

Duveen Brothers 1915-1916.

2

Duveen Brothers 1917-1918.

3

Duveen Brothers 1918-1932.

3

Duveen Brothers Misc. Undated lists..

3

Edmunds, Albert J. 1898.

3

Ehrenfels, Dr. U.R. 1950.

3

Farnum, George L. and J. Edward 1898.

3

Forman, Martin 1963.

3

Fuller, Mrs. Lawrence C. 1976.

3

Getz, Edward, 1914-1917.

3

Gresham, Lt. Col. William A. 1966.

3

Haines Jr., Robert B. 1898.

3

Harden, John H. 1892.

3

Hayakawa, R. (J.K. Matumoto).

3

Hearst, Phoebe 1896.

3

Hoffman, William G., 1953-1954.

3

Huang, T.M., 1912-1916.

3

Imperial Museum, Japan 1893-1895 (Kuki, R.).

3

Johnson, Eldridge 1928.

3

Kevorkian, H. 1940.

3

Knight, Dr. Albert P. 1961.

3

Kusakabe, K. 1915.

3

Kwan Vok Tsoo.

3

Landis, Eli Barr M.D., 1890-1898.

3

Leaming, Thomas 1900.

3

Livingston, Katherine 1898.

3

Long, Dr. Esmond R. 1955.

3

Loo, C.T. (Lai-Luan and Co.) 1915-1916.

3

Loo, C.T. 1917-1918.

3

Loo, C.T. 1919-1921.

4

Loo, C.T. 1922-1924.

4

Loo, C.T. 1925.

4

Loo, C.T. 1926.

4

Loo, C.T. 1927-1928.

4

Loo, C.T. 1929-1937.

4

Loo, C.T. 1938-1940.

4

Loo, C.T. T'ang Horses 1918-1928.

4

Loo, C.T. T'ang Horses 1970-1988.

4

Lyman, Benjamin Smith (Dr. D.B. McCartee), 1900-1902.

4

Lyne, Henry 1969.

4

Macauley, Francis C., 1895-1896.

4

Mason, O. T. 1892.

4

Mayer Collection Scythian bronzes.

5

Metcalfe Collection, 1930-1935.

5

Mirick, Henry D. 1966.

5

Mitchell, J. Clayton 1942.

5

Morse, Edwin J. 1895.

5

Mumford, E. N.

5

Naguchi, Hideyo.

5

Otaki, Harumasa, 1901-1902.

5

Pepper, William 1891.

5

Roberts, Graham.

5

Salada Tea Company, 1960-1962.

5

Scott, Alexander 1914-1915.

5

Scott, Alexander 1916.

5

Scott, Alexander 1917-1919.

5

Scott, Alexander 1920-1924.

5

Scott, Alexander 1925-1948.

5

Scott, Alexander Accounts 1915-1921.

5

Scott, Alexander Indian Collection (1 of 2).

5

Scott, Alexander Indian Collection (2 of 2).

5

Scott, Alexander Tibetan Collection (1 of 3).

5

Scott, Alexander Tibetan Collection (2 of 3).

5

Scott, Alexander Tibetan Collection (3 of 3).

5

Service, Robert R. Collection 1950.

5

Shufeldt, Mary 1899.

5

Sickman, Laurence, 1968-1971.

5

Spink and Son, Ltd., 1914-1915.

5

Starr, Edward 1896.

5

Stevenson, Cornelius 1900.

5

Stevenson, Sara Y. 1897.

5

Stoney, Dr. F. J. W. 1898.

5

Thomson, Harry C., 1891-1899.

5

Ton-Ying and Co., 1921-1926.

5

Turner, James H., 1970-1971.

5

Tyndale, Robinson 1897.

6

Vignier, M. Charles, 1919-1924.

6

Wanamaker, John, 1921-1927.

6

Weinstein, Dr. Philip, 1965-1966.

6

Williams, Edward H. 1890.

6

Wright, Joseph, 1901-1902.

6

Worch of Paris (1 of 3), 1908-1922.

6

Worch of Paris (2 of 3), 1923-1925.

6

Worch of Paris (3 of 3), 1925-1948.

6

Yamanaka and Co. (1 of 3), 1899-1924.

6

Yamanaka and Co. (2 of 3), 1925-1936.

6

Yamanaka and Co. (3 of 3), 1938-1942.

6

Yokoyama, K. 1916.

6

Miscellaneous.

6

Samurai notes.

6

Horseman relief of Kashmir.

6

Indian Collection receipts 1912,1925.

6

Manuscript and notes on collections.

6
Drawer

Mc Cartee rubbings.

M 6-7
Box

Loo, C.T. Johnson Collection jades 1929-1931.

4
Drawer

T'ang horse drawings.

M 8-9

Collection Inventory

Fernald, Helen Elizabeth, b. 1921-d. 1937. Correspondence, 1921-1937 (Bulk, 1921-1935) .

Biographical/Historical note

Helen Elizabeth Fernald was born in 1891 in Baltimore, Maryland and died in 1964. Fernald attended high school in Amherst, Massachusetts where she graduated in 1910. Going on to receive her A.B. from Mount Holyoke in South Hadley, MA in 1914, Fernald was both an O.B.K. and Mary Lyon Scholar in Art and Archeology in Zoology. After graduation, Fernald attended art school at the Art Students League in New York City, from 1914-1915. While attending art school, Fernald worked as an artist and technician in the Department of Zoology at Columbia University. This position was held for three years, from 1915-1918. During this time, Fernald did her graduate work at Columbia Teachers’ College from 1916-1918. Then, from 1918-1921, Fernald became both an Instructor and Demonstrator in History of Art at Bryn Mawr College. During her three years at Bryn Mawr from 1918-1921, Fernald also did graduate work at the institution.

From 1921-1935 Fernald was an employee of The University Museum in Philadelphia, PA. From 1921-1925, she was the head of the Educational Department. From 1925-1930, Fernald was the Assistant Curator of Far Eastern Art and from 1930-1935, she was the Curator.

In the summer of 1921, Fernald traveled abroad to Italy, Switzerland, France, and England. Because of this, she was unable to start her new position at The University Museum until September as head docent. Much of her time was spent looking for Far Eastern art pieces for the museum’s collection. Once Fernald became the Assistant Curator of Far Eastern Art, she was sent to study in Museums and Private Collections in Paris, at the British Museum in London and attended the International Congress of Oriental Societies at Oxford in 1928. Fernald’s time was spent looking at collections, lecturing and writing. At this time, Fernald was a member of both the American Oriental Society and the Philadelphia Art Alliance. During this time in Paris, Fernald was searching for frescoes and visited many private collections, especially the collection of Mr. C.J. Loo.

In April of 1929, Fernald was approved to go to China, and so, from June-December of 1929, she was sent by the museum to Japan, Korea, and China to study collections or conduct scientific researches. Despite the summer heat, Fernald managed to have a successful trip for the museum.

From 1932-1935, Fernald taught two courses at the museum: Series of seven Round Table Talks and Chinese Painting Seminar as well as teaching 23 lectures illustrated with lantern slides, called “Talks on Art Appreciation and History.” Upon leaving the museum in 1935, Fernald set out for Orlando, Florida where she corresponded with the museum sparingly for the next two years.

Fernald was most known for being a writer, art educator, painter, and lecturer and is remembered by numerous publications in The Museum Journal, various newspaper articles and reviews, lectures, and several books.

Controlled Access Headings
Personal Name(s)
  • Fernald, Helen E., 1921-1964
Box

1921-1926.

1

1927.

1

1928.

1

1929.

1

1930.

1

1931.

1

1932.

1

1933.

2

1934.

2

1935.

2

1929-1937.

2

Asian Section

0543

Asian Section

0543

Asian Section

0543

This is a finding aid. It is a description of archival material held at the University of Pennsylvania. Unless otherwise noted, the materials described below are physically available in our reading room, and not digitally available through the web.

Summary Information

Repository:
University of Pennsylvania: Penn Museum Archives
Creator:
Culin, Stewart, 1858-1929
Creator:
Gordon, G. B. (George Byron), 1870-1927
Title:
Asian Section
Date [inclusive]:
1890-1969
Call Number:
0543
Extent:
1.6 Linear feet
Language:
English
Container:
1
Abstract:
The Asian Section collection includes correspondence and receipts all dealing with the donation or sale of artifacts to the Penn Museum from 1890 to 1969. Artifacts are mostly from China, Korea, and Japan. Notable donors include Stewart Culin, William Pepper, Phoebe Hearst, and Worch of Paris, C.T. Loo, and Yamanaka and Co.
PDF Version:

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Summary Information

Repository:
University of Pennsylvania: Penn Museum Archives
Creator:
Culin, Stewart, 1858-1929
Creator:
Gordon, G. B. (George Byron), 1870-1927
Title:
Asian Section
Date [inclusive]:
1890-1969
Call Number:
0052
Extent:
1.6 Linear feet
Language:
English
Container:
1
Abstract:
The Asian Section collection includes correspondence and receipts all dealing with the donation or sale of artifacts to the Penn Museum from 1890 to 1969. Artifacts are mostly from China, Korea, and Japan. Notable donors include Stewart Culin, William Pepper, Phoebe Hearst, and Worch of Paris, C.T. Loo, and Yamanaka and Co.
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Summary Information

Repository:
University of Pennsylvania: Penn Museum Archives
Creator:
Fernald, Helen E., 1921-1964
Title:
Helen E. Fernald papers
Date [bulk]:
1921-1935
Date [inclusive]:
1921-1937
Call Number:
0025
Extent:
0.8 Linear feet
Language:
English
Abstract:
Helen E. Fernald was employed at The University Museum from 1921-1935 as the head of the Educational Department from 1921-25, was the Assistant Curator of Far Eastern Art from 1925-30, and the Curator from 1930-35. Fernald’s first trip abroad for the museum was in the summer of 1928 to study in the museums and private collections of Far Eastern art in Paris and at the British Museum in London. Her second trip was from June – December of 1929 to Japan, Korea, and China to study collections or conduct scientific researches. Her trips were a success, having brought back many artifacts from the Far East such as bronzes, sculptures, porcelains, etc. The Helen E. Fernald papers consist of eleven folders in two archival boxes of correspondence.
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Biography/History

The University of Pennsylvania Museum began its collection of ethnographic objects and art from Asia almost as soon as the museum was founded in 1889. A number of Japanese, Korean and Chinese objects, including costumes, porcelains and household goods were donated to the museum as early as 1890. The Oriental section was established in 1892 with Stewart Culin as curator. In an attempt to acquire more objects from the East, Culin staged an exhibit of the museum's collection at the World's Columbian Exhibition in Chicago in 1893.

The first display of Buddhist images occurred in 1899 with an elaborate altar and colorful panels and hangings. The objects and images had been supplied by Maxwell Sommerville, the founder of the museum's Buddhist and engraved gem collections. The exhibit received mixed reviews from the press and audience. However, Buddhist images would continue to be important to the museum's representation of the cultures of Asia throughout its history.

Before 1899, the Asian collection was displayed along the staircase of the University Library tower. The objects were moved into the new Museum building upon construction and found a permanent home in the rotunda above the museum auditorium in 1916. The "Chinese rotunda" hosted the "first million dollar show" according to Board member Percy C. Madeira in 1916. Represented in the display of objects available for purchase for the museum's permanent collection were Chinese porcelains from the J.P. Morgan Collection, Chinese art from the Duveen Brothers of London, jade vessels and sculptures from Worch of Paris and paintings and reliefs from dealer C.T. Loo of New York, all on loan for the show. The news media reminded its readers that the great collection would be lost to the city "if no wealthy Philadelphian takes a notion to purchase it."

In 1915 and 1916, Carl W. Bishop, the Assistant Curator of Oriental Art, carried out a University of Pennsylvania Museum-sponsored archaeological reconnaissance in China, Korea, and Japan. Bishop again conducted a foray in 1917 and 1918 but excavation was blocked by politics, internal rebellion in China and problems with amassing a work crew and finding enough money to proceed. Eventually, Bishop did excavate at Anyang, China in 1929 while serving as Associate Curator at the Freer Galleries in Washington. C. W. Bishop's presence in China between 1915 and 1918 later led to his being implicated in the controversy surrounding the University of Pennsylvania Museum's acquisition of two stone reliefs depicting the favorite war chargers of the Emperor T'ang T'ai-Tsung, founder of the T'ang Dynasty (618-906 A.D.). The two sculptures of the horses Curly and Autumn Dew are currently on display in the Chinese rotunda of the University of Pennsylvania Museum. These sculptures were originally part of a set of six horse sculptures surrounding the Emperor's tomb in Shanxi Province where they were photographed in 1909 by Edouard Chavannes. In 1917, Bishop saw the remaining four sculptures in the Hsi-an museum where he was told that the reliefs of Curly and Autumn Dew had been taken to Beijing by the military government. The latter sculptures were purchased by the University of Pennsylvania Museum from the New York dealer C. T. Loo in 1918.

The T'ang horses continued to be surrounded by controversy after their arrival at the Museum. Disputes about the authenticity of the sculptures and whether they represented the seventh-century originals or later reproductions persisted through the 1920's and 1930's. (see "In Defence of the Horses of T'ang T'ai-Tsung", by Helen E. Fernald in the folder "Horses of T'ang T'ai-Tsung.") The legal and moral justifiability of the acquisition of the sculptures by the University of Pennsylvania Museum was also questioned particularly when it was discovered that the inscription accompanying the four sculptures remaining in Hsi-an claimed that the T'ang sculptures in the University of Pennsylvania Museum had been removed from China at the instigation of an American imperialist presumed to be Bishop. In 1978, Derk Bodde presented to Chang Yu-lang, Deputy Director of the Shanxi Provincial Bureau of Culture, documentation that the sculptures had been purchased by a New York dealer and that C. W. Bishop had played no role in their removal from China.

With the exception of early trips by William H. Furness, Alfred C. Harrison and Hiram M. Hiller in 1895 and some "archeaological reconnaissance" by Carl W. Bishop, no excavations in China have been conducted by the museum. Almost all of the collections were assembled through purchase and donations. George Byron Gordon, Assistant Curator of the General Ethnology section of the museum from 1903 until his appointment as Director in 1910 devoted considerable time and energy to acquiring Asian antiquities worthy of museum display. It was Gordon who recruited Carl W. Bishop in 1914.

Following the death of George Byron Gordon, Eldridge R. Johnson, founder of the Victor Talking Picture Company, presented the Gordon Memorial to the museum. This gift included magnificent carvings on semi-precious stone, eventually displayed at the Philadelphia Museum of Art, and the famous Crystal Ball a treasure of the Imperial Palace in Peking.

George B. Gordon was succeeded as Assistant Curator by Carl W. Bishop (1914-1918). Following Bishop's tenure the Asian section has had a succession of curators with gaps between service when the section was represented by a Research Consultant or Keeper of the collection.

Biography/History

The University of Pennsylvania Museum began its collection of ethnographic objects and art from Asia almost as soon as the museum was founded in 1889. A number of Japanese, Korean and Chinese objects, including costumes, porcelains and household goods were donated to the museum as early as 1890. The Oriental section was established in 1892 with Stewart Culin as curator. In an attempt to acquire more objects from the East, Culin staged an exhibit of the museum's collection at the World's Columbian Exhibition in Chicago in 1893.

The first display of Buddhist images occurred in 1899 with an elaborate altar and colorful panels and hangings. The objects and images had been supplied by Maxwell Sommerville, the founder of the museum's Buddhist and engraved gem collections. The exhibit received mixed reviews from the press and audience. However, Buddhist images would continue to be important to the museum's representation of the cultures of Asia throughout its history.

Before 1899, the Asian collection was displayed along the staircase of the University Library tower. The objects were moved into the new Museum building upon construction and found a permanent home in the rotunda above the museum auditorium in 1916. The "Chinese rotunda" hosted the "first million dollar show" according to Board member Percy C. Madeira in 1916. Represented in the display of objects available for purchase for the museum's permanent collection were Chinese porcelains from the J.P. Morgan Collection, Chinese art from the Duveen Brothers of London, jade vessels and sculptures from Worch of Paris and paintings and reliefs from dealer C.T. Loo of New York, all on loan for the show. The news media reminded its readers that the great collection would be lost to the city "if no wealthy Philadelphian takes a notion to purchase it."

In 1915 and 1916, Carl W. Bishop, the Assistant Curator of Oriental Art, carried out a University of Pennsylvania Museum-sponsored archaeological reconnaissance in China, Korea, and Japan. Bishop again conducted a foray in 1917 and 1918 but excavation was blocked by politics, internal rebellion in China and problems with amassing a work crew and finding enough money to proceed. Eventually, Bishop did excavate at Anyang, China in 1929 while serving as Associate Curator at the Freer Galleries in Washington. C. W. Bishop's presence in China between 1915 and 1918 later led to his being implicated in the controversy surrounding the University of Pennsylvania Museum's acquisition of two stone reliefs depicting the favorite war chargers of the Emperor T'ang T'ai-Tsung, founder of the T'ang Dynasty (618-906 A.D.). The two sculptures of the horses Curly and Autumn Dew are currently on display in the Chinese rotunda of the University of Pennsylvania Museum. These sculptures were originally part of a set of six horse sculptures surrounding the Emperor's tomb in Shanxi Province where they were photographed in 1909 by Edouard Chavannes. In 1917, Bishop saw the remaining four sculptures in the Hsi-an museum where he was told that the reliefs of Curly and Autumn Dew had been taken to Beijing by the military government. The latter sculptures were purchased by the University of Pennsylvania Museum from the New York dealer C. T. Loo in 1918.

The T'ang horses continued to be surrounded by controversy after their arrival at the Museum. Disputes about the authenticity of the sculptures and whether they represented the seventh-century originals or later reproductions persisted through the 1920's and 1930's. (see "In Defence of the Horses of T'ang T'ai-Tsung", by Helen E. Fernald in the folder "Horses of T'ang T'ai-Tsung.") The legal and moral justifiability of the acquisition of the sculptures by the University of Pennsylvania Museum was also questioned particularly when it was discovered that the inscription accompanying the four sculptures remaining in Hsi-an claimed that the T'ang sculptures in the University of Pennsylvania Museum had been removed from China at the instigation of an American imperialist presumed to be Bishop. In 1978, Derk Bodde presented to Chang Yu-lang, Deputy Director of the Shanxi Provincial Bureau of Culture, documentation that the sculptures had been purchased by a New York dealer and that C. W. Bishop had played no role in their removal from China.

With the exception of early trips by William H. Furness, Alfred C. Harrison and Hiram M. Hiller in 1895 and some "archeaological reconnaissance" by Carl W. Bishop, no excavations in China have been conducted by the museum. Almost all of the collections were assembled through purchase and donations. George Byron Gordon, Assistant Curator of the General Ethnology section of the museum from 1903 until his appointment as Director in 1910 devoted considerable time and energy to acquiring Asian antiquities worthy of museum display. It was Gordon who recruited Carl W. Bishop in 1914.

Following the death of George Byron Gordon, Eldridge R. Johnson, founder of the Victor Talking Picture Company, presented the Gordon Memorial to the museum. This gift included magnificent carvings on semi-precious stone, eventually displayed at the Philadelphia Museum of Art, and the famous Crystal Ball a treasure of the Imperial Palace in Peking.

George B. Gordon was succeeded as Assistant Curator by Carl W. Bishop (1914-1918). Following Bishop's tenure the Asian section has had a succession of curators with gaps between service when the section was represented by a Research Consultant or Keeper of the collection.

Biography/History

Helen Elizabeth Fernald was born in 1891 in Baltimore, Maryland and died in 1964. Fernald attended high school in Amherst, Massachusetts where she graduated in 1910. Going on to receive her A.B. from Mount Holyoke in South Hadley, MA in 1914, Fernald was both an O.B.K. and Mary Lyon Scholar in Art and Archeology in Zoology. After graduation, Fernald attended art school at the Art Students League in New York City, from 1914-1915. While attending art school, Fernald worked as an artist and technician in the Department of Zoology at Columbia University. This position was held for three years, from 1915-1918. During this time, Fernald did her graduate work at Columbia Teachers’ College from 1916-1918. Then, from 1918-1921, Fernald became both an Instructor and Demonstrator in History of Art at Bryn Mawr College. During her three years at Bryn Mawr from 1918-1921, Fernald also did graduate work at the institution.

From 1921-1935 Fernald was an employee of The University Museum in Philadelphia, PA. From 1921-1925, she was the head of the Educational Department. From 1925-1930, Fernald was the Assistant Curator of Far Eastern Art and from 1930-1935, she was the Curator.

In the summer of 1921, Fernald traveled abroad to Italy, Switzerland, France, and England. Because of this, she was unable to start her new position at The University Museum until September as head docent. Much of her time was spent looking for Far Eastern art pieces for the museum’s collection. Once Fernald became the Assistant Curator of Far Eastern Art, she was sent to study in Museums and Private Collections in Paris, at the British Museum in London and attended the International Congress of Oriental Societies at Oxford in 1928. Fernald’s time was spent looking at collections, lecturing and writing. At this time, Fernald was a member of both the American Oriental Society and the Philadelphia Art Alliance. During this time in Paris, Fernald was searching for frescoes and visited many private collections, especially the collection of Mr. C.T. Loo. In April of 1929, Fernald was approved to go to China, and so, from June-December of 1929, she was sent by the museum to Japan, Korea, and China to study collections or conduct scientific research. Despite the summer heat, Fernald managed to have a successful trip for the museum.

From 1932-1935, Fernald taught two courses at the museum: Series of seven Round Table Talks and Chinese Painting Seminar as well as teaching 23 lectures illustrated with lantern slides, called “Talks on Art Appreciation and History.” Upon leaving the museum in 1935, Fernald set out for Orlando, Florida where she corresponded with the museum sparingly for the next two years.

Fernald was most known for being a writer, art educator, painter, and lecturer and is remembered by numerous publications in The Museum Journal, various newspaper articles and reviews, lectures, and several books.

Scope and Contents

The textual records from the Asian Section collection series consists of 1.6 linear feet of correspondence and receipts. The records have been compiled from donors from 1890 to 1969.

The collection consists primarily of letters, correspondence, shipping information, invoices, insurance data, and receipts of artifacts bought or exhibited by the Museum, or donated to the Museum as well as background information on the artifacts. Notable donors as well as correspondents include Stewart Culin, William Pepper, Phoebe Hearst, and Worch of Paris, C.T. Loo, and Yamanaka and Co..

There is also a translation of the text “Discriptive (sic) of the Illustrations of the 47 Ronins,” collection No. 639.

Other Museum Archives records related to this collection can be found in: Carl W. Bishop papers and Helen E. Fernald papers.

Scope and Contents

The textual records from the Asian Section collection series consists of 1.6 linear feet of correspondence and receipts. The records have been compiled from donors from 1890 to 1969.

The collection consists primarily of letters, correspondence, shipping information, invoices, insurance data, and receipts of artifacts bought or exhibited by the Museum, or donated to the Museum as well as background information on the artifacts. Notable donors as well as correspondents include Stewart Culin, William Pepper, Phoebe Hearst, and Worch of Paris, C.T. Loo, and Yamanaka and Co..

There is also a translation of the text “Discriptive (sic) of the Illustrations of the 47 Ronins,” collection No. 639.

Other Museum Archives records related to this collection can be found in: Carl W. Bishop papers and Helen E. Fernald papers.

Scope and Contents

The Helen E. Fernald papers consist of two archival boxes of textual material of 0.8 linear feet. These boxes make of one series: correspondence, which are contained in eleven folders. The records have been compiled to and from Helen E. Fernald in chronological order.

The correspondence, dated from 1921-1937, consist primarily of letters to and from Helen E. Fernald regarding collections, lectures Fernald taught, articles she published, and her day-to-day activity while abroad as well as statements of expense accounts and receipts from abroad.

Administrative Information

Publication Information

University of Pennsylvania: Penn Museum Archives,  08/14/12

Publication Information

University of Pennsylvania: Penn Museum Archives,  08/14/12

Publication Information

University of Pennsylvania: Penn Museum Archives,  6/27/2012

Finding Aid Author

Finding aid prepared by Gina Gariffo

Finding Aid Author

Finding aid prepared by Gina Gariffo

Finding Aid Author

Finding aid prepared by Gina Gariffo

Revision Description

 5/22/13

Revision Description

 5/22/13

Revision Description

 5/9/13

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Controlled Access Headings

Corporate Name(s)
  • Worch of Paris .
  • Yamanaka and Co..
Personal Name(s)
  • Bishop, Carl Whiting, b. 1881-d.1942
  • Fernald, Helen Elizabeth, b. 1921-d. 1937
  • Getz, John, b. 1853?
  • Hearst, Phoebe Apperson, 1842-1919
  • Johnson, Eldridge Reeves, b. 1867-d. 1945
  • Loo, C.T., b.1880-d.1957
  • Lyons, Elizabeth, b. 1912-d. 1989
  • McCartee, Divie Bethune, Dr., b. 1820-d.1900
  • Pepper, William, 1843-1898
  • Scott, Alexander
  • Scott, Hugh, Senator, b. 1900-D.1994
  • Stevenson, Sara Yorke, 1847-1921
  • Wanamaker, John, 1838-1922

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Controlled Access Headings

Corporate Name(s)
  • Worch of Paris .
  • Yamanaka and Co..
Personal Name(s)
  • Bishop, Carl Whiting, b. 1881-d.1942
  • Fernald, Helen Elizabeth, b. 1921-d. 1937
  • Getz, John, b. 1853?
  • Hearst, Phoebe Apperson, 1842-1919
  • Johnson, Eldridge Reeves, b. 1867-d. 1945
  • Loo, C.T., b.1880-d.1957
  • Lyons, Elizabeth, b. 1912-d. 1989
  • McCartee, Divie Bethune, Dr., b. 1820-d.1900
  • Pepper, William, 1843-1898
  • Scott, Alexander
  • Scott, Hugh, Senator, b. 1900-D.1994
  • Stevenson, Sara Yorke, 1847-1921
  • Wanamaker, John, 1838-1922
Subject(s)
  • Art history
  • Material culture
  • Tang horses

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Controlled Access Headings

Corporate Name(s)
  • Yamanaka and Co..
Form/Genre(s)
  • Correspondence
Personal Name(s)
  • Bishop, Carl Whiting, b. 1881-d.1942
  • Fernald, Helen E., 1921-1964
  • Gordon, G. B. (George Byron), 1870-1927
  • Jayne, Horace Howard Furness, 1898-1975
  • Loo, C.T., b.1880-d.1957
Subject(s)
  • Antiquities
  • Art history

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Collection Inventory

Administration, 1894-1927.

Box

Stewart Culin-Sara Yorke Stevenson correspondence, 1890-1902.

1

Stewart Culin-section reports 1899-1902.

1

Stewart Culin-exhibits.

1

General, 1901-1975.

1

John Getz-correspondence, 1912-1920.

1

John Getz-Porcelain list.

1

Cammann hiring, 1947-1949.

1

Sales-object information, 1942-1969.

1

Sales controversy, 1958-1974.

1

Freer Gallery-repair/analysis, 1961-1963.

1

Chinese jade exhibit 1962-1963 (1 of 3).

1

Chinese jade exhibit 1962-1963 (2 of 3).

1

Chinese jade exhibit 1962-1963 (3 of 3).

1

Senator Hugh Scott exhibit 1967.

1

Textile deaccession 1969.

1

Elizabeth Lyons 1969.

1

Chinese porcelain sale 1970-1977.

1

Chinese objects sale 1974 (1 of 3).

1

Chinese objects sale 1974 (2 of 3).

1

Chinese objects sale 1975 (3 of 3).

1

Chinese scroll sale 1975-1976.

2

Netsuke sale 1975-1977.

2

Sales-Sotheby Parke Bernet, 1968-1976.

2

Sales-Freeman 1969-1970 (1 of 2).

2

Sales-Freeman 1970-1977 (2 of 2).

2

Sales-Christie's 1975.

2

Collections.

Box

Belfield, T. Broom, 1927-1976 (Bulk, 1927) .

2

Bell, Laura 1939.

2

Bowles, Gordon, 1932-1942.

2

Braddock, Charles 1906.

2

Chait, Ralph (1 of 2), 1922-1932.

2

Chait, Ralph (2 of 2), 1933-1939.

2

Cochrane, Constance 1962.

2

Commercial Museum, 1933-1940.

2

Crawford, Joseph, 1894-1897.

2

Duveen Brothers 1915-1916.

2

Duveen Brothers 1917-1918.

3

Duveen Brothers 1918-1932.

3

Duveen Brothers Misc. Undated lists..

3

Edmunds, Albert J. 1898.

3

Ehrenfels, Dr. U.R. 1950.

3

Farnum, George L. and J. Edward 1898.

3

Forman, Martin 1963.

3

Fuller, Mrs. Lawrence C. 1976.

3

Getz, Edward, 1914-1917.

3

Gresham, Lt. Col. William A. 1966.

3

Haines Jr., Robert B. 1898.

3

Harden, John H. 1892.

3

Hayakawa, R. (J.K. Matumoto).

2

Hearst, Phoebe 1896.

3

Hoffman, William G., 1953-1954.

3

Huang, T.M., 1912-1916.

3

Johnson, Eldridge 1928.

3

Kevorkian, H. 1940.

3

Knight, Dr. Albert P. 1961.

3

Kuki, R. 1895.

3

Kusakabe, K. 1915.

3

Kwan Vok Tsoo.

3

Landis, Eli Barr M.D., 1890-1898.

3

Leaming, Thomas 1900.

3

Livingston, Katherine 1898.

3

Long, Dr. Esmond R. 1955.

3

Loo, C.T. (Lai-Luan and Co.) 1915-1916.

3

Loo, C.T. 1917-1918.

3

Loo, C.T. 1919-1921.

4

Loo, C.T. 1922-1924.

4

Loo, C.T. 1925.

4

Loo, C.T. 1926.

4

Loo, C.T. 1927-1928.

4

Loo, C.T. 1929-1937.

4

Loo, C.T. 1938-1940.

4

Loo, C.T. T'ang Horses 1918-1928.

4

Loo, C.T. T'ang Horses 1970-1988.

4

Lyman, Benjamin Smith (Dr. D.B. McCartee), 1900-1902.

4

Lyne, Henry 1969.

4

Macauley, L.C., 1895-1896.

4

Mason, O. T. 1892.

4

Mayer Collection Scythian bronzes.

5

Metcalfe Collection, 1930-1935.

5

Mirick, Henry D. 1966.

5

Mitchell, J. Clayton 1942.

5

Morse, Edwin J. 1895.

5

Mumford, E. N.

5

Naguchi, Hideyo.

5

Otaki, Harumasa, 1901-1902.

5

Pepper, William 1891.

5

Roberts, Graham.

5

Salada Tea Company, 1960-1962.

5

Scott, Alexander 1914-1915.

5

Scott, Alexander 1916.

5

Scott, Alexander 1917-1919.

5

Scott, Alexander 1920-1924.

5

Scott, Alexander 1925-1948.

5

Scott, Alexander Accounts 1915-1921.

5

Scott, Alexander Indian Collection (1 of 2).

5

Scott, Alexander Indian Collection (2 of 2).

5

Scott, Alexander Tibetan Collection (1 of 3).

5

Scott, Alexander Tibetan Collection (2 of 3).

5

Scott, Alexander Tibetan Collection (3 of 3).

5

Service, Robert R. Collection 1950.

5

Shufeldt, Mary 1899.

5

Sickman, Laurence, 1968-1971.

5

Spink and Son, Ltd., 1914-1915.

5

Starr, Edward 1896.

5

Stevenson, Cornelius 1900.

5

Stevenson, Sara Y. 1897.

5

Stoney, Dr. F. J. W. 1898.

5

Thomson, Harry C., 1891-1899.

5

Ton-Ying and Co., 1921-1926.

5

Turner, James H., 1970-1971.

5

Tyndale, Robinson 1897.

6

Vignier, M. Charles, 1919-1924.

6

Wanamaker, John, 1921-1927.

6

Weinstein, Dr. Philip, 1965-1966.

6

Williams, Edward H. 1890.

6

Wright, Joseph, 1901-1902.

6

Worch of Paris (1 of 3), 1908-1922.

6

Worch of Paris (2 of 3), 1923-1925.

6

Worch of Paris (3 of 3), 1925-1948.

6

Yamanaka and Co. (1 of 3), 1899-1924.

6

Yamanaka and Co. (2 of 3), 1925-1936.

6

Yamanaka and Co. (3 of 3), 1938-1942.

6

Yokoyama, K. 1916.

6

Miscellaneous.

6

Samurai notes.

6

Horseman relief of Kashmir.

6

Indian Collection receipts 1912,1925.

6

Manuscript and notes on collections.

6
Drawer

Mc Cartee rubbings.

M 6-7
Box

Loo, C.T. Johnson Collection jades 1929-1931.

4
Drawer

T'ang horse drawings.

M 8-9

Collection Inventory

Administration, 1894-1927.

Box

Stewart Culin-Sara Yorke Stevenson correspondence, 1890-1902.

1

Stewart Culin-section reports 1899-1902.

1

Stewart Culin-exhibits.

1

General, 1901-1975.

1

John Getz-correspondence, 1912-1920.

1

John Getz-Porcelain list.

1

Cammann hiring, 1947-1949.

1

Sales-object information, 1942-1969.

1

Sales controversy, 1958-1974.

1

Freer Gallery-repair/analysis, 1961-1963.

1

Chinese jade exhibit 1962-1963 (1 of 3).

1

Chinese jade exhibit 1962-1963 (2 of 3).

1

Chinese jade exhibit 1962-1963 (3 of 3).

1

Senator Hugh Scott exhibit 1967.

1

Textile deaccession 1969.

1

Elizabeth Lyons 1969.

1

Chinese porcelain sale 1970-1977.

1

Chinese objects sale 1974 (1 of 3).

1

Chinese objects sale 1974 (2 of 3).

1

Chinese objects sale 1975 (3 of 3).

1

Chinese scroll sale 1975-1976.

2

Netsuke sale 1975-1977.

2

Sales-Sotheby Parke Bernet, 1968-1976.

2

Sales-Freeman 1969-1970 (1 of 2).

2

Sales-Freeman 1970-1977 (2 of 2).

2

Sales-Christie's 1975.

2

Collections.

Box

Belfield, T. Broom, 1927-1976 (Bulk, 1927) .

2

Bell, Laura 1939.

2

Bowles, Gordon, 1932-1942.

2

Braddock, Charles 1906.

2

Chait, Ralph (1 of 2), 1922-1932.

2

Chait, Ralph (2 of 2), 1933-1939.

2

Cochrane, Constance 1962.

2

Commercial Museum, 1933-1940.

2

Crawford, Joseph, 1894-1897.

2

Duveen Brothers 1915-1916.

2

Duveen Brothers 1917-1918.

3

Duveen Brothers 1918-1932.

3

Duveen Brothers Misc. Undated lists..

3

Edmunds, Albert J. 1898.

3

Ehrenfels, Dr. U.R. 1950.

3

Farnum, George L. and J. Edward 1898.

3

Forman, Martin 1963.

3

Fuller, Mrs. Lawrence C. 1976.

3

Getz, Edward, 1914-1917.

3

Gresham, Lt. Col. William A. 1966.

3

Haines Jr., Robert B. 1898.

3

Harden, John H. 1892.

3

Hayakawa, R. (J.K. Matumoto).

3

Hearst, Phoebe 1896.

3

Hoffman, William G., 1953-1954.

3

Huang, T.M., 1912-1916.

3

Imperial Museum, Japan 1893-1895 (Kuki, R.).

3

Johnson, Eldridge 1928.

3

Kevorkian, H. 1940.

3

Knight, Dr. Albert P. 1961.

3

Kusakabe, K. 1915.

3

Kwan Vok Tsoo.

3

Landis, Eli Barr M.D., 1890-1898.

3

Leaming, Thomas 1900.

3

Livingston, Katherine 1898.

3

Long, Dr. Esmond R. 1955.

3

Loo, C.T. (Lai-Luan and Co.) 1915-1916.

3

Loo, C.T. 1917-1918.

3

Loo, C.T. 1919-1921.

4

Loo, C.T. 1922-1924.

4

Loo, C.T. 1925.

4

Loo, C.T. 1926.

4

Loo, C.T. 1927-1928.

4

Loo, C.T. 1929-1937.

4

Loo, C.T. 1938-1940.

4

Loo, C.T. T'ang Horses 1918-1928.

4

Loo, C.T. T'ang Horses 1970-1988.

4

Lyman, Benjamin Smith (Dr. D.B. McCartee), 1900-1902.

4

Lyne, Henry 1969.

4

Macauley, Francis C., 1895-1896.

4

Mason, O. T. 1892.

4

Mayer Collection Scythian bronzes.

5

Metcalfe Collection, 1930-1935.

5

Mirick, Henry D. 1966.

5

Mitchell, J. Clayton 1942.

5

Morse, Edwin J. 1895.

5

Mumford, E. N.

5

Naguchi, Hideyo.

5

Otaki, Harumasa, 1901-1902.

5

Pepper, William 1891.

5

Roberts, Graham.

5

Salada Tea Company, 1960-1962.

5

Scott, Alexander 1914-1915.

5

Scott, Alexander 1916.

5

Scott, Alexander 1917-1919.

5

Scott, Alexander 1920-1924.

5

Scott, Alexander 1925-1948.

5

Scott, Alexander Accounts 1915-1921.

5

Scott, Alexander Indian Collection (1 of 2).

5

Scott, Alexander Indian Collection (2 of 2).

5

Scott, Alexander Tibetan Collection (1 of 3).

5

Scott, Alexander Tibetan Collection (2 of 3).

5

Scott, Alexander Tibetan Collection (3 of 3).

5

Service, Robert R. Collection 1950.

5

Shufeldt, Mary 1899.

5

Sickman, Laurence, 1968-1971.

5

Spink and Son, Ltd., 1914-1915.

5

Starr, Edward 1896.

5

Stevenson, Cornelius 1900.

5

Stevenson, Sara Y. 1897.

5

Stoney, Dr. F. J. W. 1898.

5

Thomson, Harry C., 1891-1899.

5

Ton-Ying and Co., 1921-1926.

5

Turner, James H., 1970-1971.

5

Tyndale, Robinson 1897.

6

Vignier, M. Charles, 1919-1924.

6

Wanamaker, John, 1921-1927.

6

Weinstein, Dr. Philip, 1965-1966.

6

Williams, Edward H. 1890.

6

Wright, Joseph, 1901-1902.

6

Worch of Paris (1 of 3), 1908-1922.

6

Worch of Paris (2 of 3), 1923-1925.

6

Worch of Paris (3 of 3), 1925-1948.

6

Yamanaka and Co. (1 of 3), 1899-1924.

6

Yamanaka and Co. (2 of 3), 1925-1936.

6

Yamanaka and Co. (3 of 3), 1938-1942.

6

Yokoyama, K. 1916.

6

Miscellaneous.

6

Samurai notes.

6

Horseman relief of Kashmir.

6

Indian Collection receipts 1912,1925.

6

Manuscript and notes on collections.

6
Drawer

Mc Cartee rubbings.

M 6-7
Box

Loo, C.T. Johnson Collection jades 1929-1931.

4
Drawer

T'ang horse drawings.

M 8-9

Collection Inventory

Fernald, Helen Elizabeth, b. 1921-d. 1937. Correspondence, 1921-1937 (Bulk, 1921-1935) .

Biographical/Historical note

Helen Elizabeth Fernald was born in 1891 in Baltimore, Maryland and died in 1964. Fernald attended high school in Amherst, Massachusetts where she graduated in 1910. Going on to receive her A.B. from Mount Holyoke in South Hadley, MA in 1914, Fernald was both an O.B.K. and Mary Lyon Scholar in Art and Archeology in Zoology. After graduation, Fernald attended art school at the Art Students League in New York City, from 1914-1915. While attending art school, Fernald worked as an artist and technician in the Department of Zoology at Columbia University. This position was held for three years, from 1915-1918. During this time, Fernald did her graduate work at Columbia Teachers’ College from 1916-1918. Then, from 1918-1921, Fernald became both an Instructor and Demonstrator in History of Art at Bryn Mawr College. During her three years at Bryn Mawr from 1918-1921, Fernald also did graduate work at the institution.

From 1921-1935 Fernald was an employee of The University Museum in Philadelphia, PA. From 1921-1925, she was the head of the Educational Department. From 1925-1930, Fernald was the Assistant Curator of Far Eastern Art and from 1930-1935, she was the Curator.

In the summer of 1921, Fernald traveled abroad to Italy, Switzerland, France, and England. Because of this, she was unable to start her new position at The University Museum until September as head docent. Much of her time was spent looking for Far Eastern art pieces for the museum’s collection. Once Fernald became the Assistant Curator of Far Eastern Art, she was sent to study in Museums and Private Collections in Paris, at the British Museum in London and attended the International Congress of Oriental Societies at Oxford in 1928. Fernald’s time was spent looking at collections, lecturing and writing. At this time, Fernald was a member of both the American Oriental Society and the Philadelphia Art Alliance. During this time in Paris, Fernald was searching for frescoes and visited many private collections, especially the collection of Mr. C.J. Loo.

In April of 1929, Fernald was approved to go to China, and so, from June-December of 1929, she was sent by the museum to Japan, Korea, and China to study collections or conduct scientific researches. Despite the summer heat, Fernald managed to have a successful trip for the museum.

From 1932-1935, Fernald taught two courses at the museum: Series of seven Round Table Talks and Chinese Painting Seminar as well as teaching 23 lectures illustrated with lantern slides, called “Talks on Art Appreciation and History.” Upon leaving the museum in 1935, Fernald set out for Orlando, Florida where she corresponded with the museum sparingly for the next two years.

Fernald was most known for being a writer, art educator, painter, and lecturer and is remembered by numerous publications in The Museum Journal, various newspaper articles and reviews, lectures, and several books.

Controlled Access Headings
Personal Name(s)
  • Fernald, Helen E., 1921-1964
Box

1921-1926.

1

1927.

1

1928.

1

1929.

1

1930.

1

1931.

1

1932.

1

1933.

2

1934.

2

1935.

2

1929-1937.

2

Asian Section

0543

Asian Section

0543

Asian Section

0543

This is a finding aid. It is a description of archival material held at the University of Pennsylvania. Unless otherwise noted, the materials described below are physically available in our reading room, and not digitally available through the web.

Summary Information

Repository:
University of Pennsylvania: Penn Museum Archives
Creator:
Culin, Stewart, 1858-1929
Creator:
Gordon, G. B. (George Byron), 1870-1927
Title:
Asian Section
Date [inclusive]:
1890-1969
Call Number:
0543
Extent:
1.6 Linear feet
Language:
English
Container:
1
Abstract:
The Asian Section collection includes correspondence and receipts all dealing with the donation or sale of artifacts to the Penn Museum from 1890 to 1969. Artifacts are mostly from China, Korea, and Japan. Notable donors include Stewart Culin, William Pepper, Phoebe Hearst, and Worch of Paris, C.T. Loo, and Yamanaka and Co.
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Summary Information

Repository:
University of Pennsylvania: Penn Museum Archives
Creator:
Culin, Stewart, 1858-1929
Creator:
Gordon, G. B. (George Byron), 1870-1927
Title:
Asian Section
Date [inclusive]:
1890-1969
Call Number:
0052
Extent:
1.6 Linear feet
Language:
English
Container:
1
Abstract:
The Asian Section collection includes correspondence and receipts all dealing with the donation or sale of artifacts to the Penn Museum from 1890 to 1969. Artifacts are mostly from China, Korea, and Japan. Notable donors include Stewart Culin, William Pepper, Phoebe Hearst, and Worch of Paris, C.T. Loo, and Yamanaka and Co.
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Summary Information

Repository:
University of Pennsylvania: Penn Museum Archives
Creator:
Fernald, Helen E., 1921-1964
Title:
Helen E. Fernald papers
Date [bulk]:
1921-1935
Date [inclusive]:
1921-1937
Call Number:
0025
Extent:
0.8 Linear feet
Language:
English
Abstract:
Helen E. Fernald was employed at The University Museum from 1921-1935 as the head of the Educational Department from 1921-25, was the Assistant Curator of Far Eastern Art from 1925-30, and the Curator from 1930-35. Fernald’s first trip abroad for the museum was in the summer of 1928 to study in the museums and private collections of Far Eastern art in Paris and at the British Museum in London. Her second trip was from June – December of 1929 to Japan, Korea, and China to study collections or conduct scientific researches. Her trips were a success, having brought back many artifacts from the Far East such as bronzes, sculptures, porcelains, etc. The Helen E. Fernald papers consist of eleven folders in two archival boxes of correspondence.
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Biography/History

The University of Pennsylvania Museum began its collection of ethnographic objects and art from Asia almost as soon as the museum was founded in 1889. A number of Japanese, Korean and Chinese objects, including costumes, porcelains and household goods were donated to the museum as early as 1890. The Oriental section was established in 1892 with Stewart Culin as curator. In an attempt to acquire more objects from the East, Culin staged an exhibit of the museum's collection at the World's Columbian Exhibition in Chicago in 1893.

The first display of Buddhist images occurred in 1899 with an elaborate altar and colorful panels and hangings. The objects and images had been supplied by Maxwell Sommerville, the founder of the museum's Buddhist and engraved gem collections. The exhibit received mixed reviews from the press and audience. However, Buddhist images would continue to be important to the museum's representation of the cultures of Asia throughout its history.

Before 1899, the Asian collection was displayed along the staircase of the University Library tower. The objects were moved into the new Museum building upon construction and found a permanent home in the rotunda above the museum auditorium in 1916. The "Chinese rotunda" hosted the "first million dollar show" according to Board member Percy C. Madeira in 1916. Represented in the display of objects available for purchase for the museum's permanent collection were Chinese porcelains from the J.P. Morgan Collection, Chinese art from the Duveen Brothers of London, jade vessels and sculptures from Worch of Paris and paintings and reliefs from dealer C.T. Loo of New York, all on loan for the show. The news media reminded its readers that the great collection would be lost to the city "if no wealthy Philadelphian takes a notion to purchase it."

In 1915 and 1916, Carl W. Bishop, the Assistant Curator of Oriental Art, carried out a University of Pennsylvania Museum-sponsored archaeological reconnaissance in China, Korea, and Japan. Bishop again conducted a foray in 1917 and 1918 but excavation was blocked by politics, internal rebellion in China and problems with amassing a work crew and finding enough money to proceed. Eventually, Bishop did excavate at Anyang, China in 1929 while serving as Associate Curator at the Freer Galleries in Washington. C. W. Bishop's presence in China between 1915 and 1918 later led to his being implicated in the controversy surrounding the University of Pennsylvania Museum's acquisition of two stone reliefs depicting the favorite war chargers of the Emperor T'ang T'ai-Tsung, founder of the T'ang Dynasty (618-906 A.D.). The two sculptures of the horses Curly and Autumn Dew are currently on display in the Chinese rotunda of the University of Pennsylvania Museum. These sculptures were originally part of a set of six horse sculptures surrounding the Emperor's tomb in Shanxi Province where they were photographed in 1909 by Edouard Chavannes. In 1917, Bishop saw the remaining four sculptures in the Hsi-an museum where he was told that the reliefs of Curly and Autumn Dew had been taken to Beijing by the military government. The latter sculptures were purchased by the University of Pennsylvania Museum from the New York dealer C. T. Loo in 1918.

The T'ang horses continued to be surrounded by controversy after their arrival at the Museum. Disputes about the authenticity of the sculptures and whether they represented the seventh-century originals or later reproductions persisted through the 1920's and 1930's. (see "In Defence of the Horses of T'ang T'ai-Tsung", by Helen E. Fernald in the folder "Horses of T'ang T'ai-Tsung.") The legal and moral justifiability of the acquisition of the sculptures by the University of Pennsylvania Museum was also questioned particularly when it was discovered that the inscription accompanying the four sculptures remaining in Hsi-an claimed that the T'ang sculptures in the University of Pennsylvania Museum had been removed from China at the instigation of an American imperialist presumed to be Bishop. In 1978, Derk Bodde presented to Chang Yu-lang, Deputy Director of the Shanxi Provincial Bureau of Culture, documentation that the sculptures had been purchased by a New York dealer and that C. W. Bishop had played no role in their removal from China.

With the exception of early trips by William H. Furness, Alfred C. Harrison and Hiram M. Hiller in 1895 and some "archeaological reconnaissance" by Carl W. Bishop, no excavations in China have been conducted by the museum. Almost all of the collections were assembled through purchase and donations. George Byron Gordon, Assistant Curator of the General Ethnology section of the museum from 1903 until his appointment as Director in 1910 devoted considerable time and energy to acquiring Asian antiquities worthy of museum display. It was Gordon who recruited Carl W. Bishop in 1914.

Following the death of George Byron Gordon, Eldridge R. Johnson, founder of the Victor Talking Picture Company, presented the Gordon Memorial to the museum. This gift included magnificent carvings on semi-precious stone, eventually displayed at the Philadelphia Museum of Art, and the famous Crystal Ball a treasure of the Imperial Palace in Peking.

George B. Gordon was succeeded as Assistant Curator by Carl W. Bishop (1914-1918). Following Bishop's tenure the Asian section has had a succession of curators with gaps between service when the section was represented by a Research Consultant or Keeper of the collection.

Biography/History

The University of Pennsylvania Museum began its collection of ethnographic objects and art from Asia almost as soon as the museum was founded in 1889. A number of Japanese, Korean and Chinese objects, including costumes, porcelains and household goods were donated to the museum as early as 1890. The Oriental section was established in 1892 with Stewart Culin as curator. In an attempt to acquire more objects from the East, Culin staged an exhibit of the museum's collection at the World's Columbian Exhibition in Chicago in 1893.

The first display of Buddhist images occurred in 1899 with an elaborate altar and colorful panels and hangings. The objects and images had been supplied by Maxwell Sommerville, the founder of the museum's Buddhist and engraved gem collections. The exhibit received mixed reviews from the press and audience. However, Buddhist images would continue to be important to the museum's representation of the cultures of Asia throughout its history.

Before 1899, the Asian collection was displayed along the staircase of the University Library tower. The objects were moved into the new Museum building upon construction and found a permanent home in the rotunda above the museum auditorium in 1916. The "Chinese rotunda" hosted the "first million dollar show" according to Board member Percy C. Madeira in 1916. Represented in the display of objects available for purchase for the museum's permanent collection were Chinese porcelains from the J.P. Morgan Collection, Chinese art from the Duveen Brothers of London, jade vessels and sculptures from Worch of Paris and paintings and reliefs from dealer C.T. Loo of New York, all on loan for the show. The news media reminded its readers that the great collection would be lost to the city "if no wealthy Philadelphian takes a notion to purchase it."

In 1915 and 1916, Carl W. Bishop, the Assistant Curator of Oriental Art, carried out a University of Pennsylvania Museum-sponsored archaeological reconnaissance in China, Korea, and Japan. Bishop again conducted a foray in 1917 and 1918 but excavation was blocked by politics, internal rebellion in China and problems with amassing a work crew and finding enough money to proceed. Eventually, Bishop did excavate at Anyang, China in 1929 while serving as Associate Curator at the Freer Galleries in Washington. C. W. Bishop's presence in China between 1915 and 1918 later led to his being implicated in the controversy surrounding the University of Pennsylvania Museum's acquisition of two stone reliefs depicting the favorite war chargers of the Emperor T'ang T'ai-Tsung, founder of the T'ang Dynasty (618-906 A.D.). The two sculptures of the horses Curly and Autumn Dew are currently on display in the Chinese rotunda of the University of Pennsylvania Museum. These sculptures were originally part of a set of six horse sculptures surrounding the Emperor's tomb in Shanxi Province where they were photographed in 1909 by Edouard Chavannes. In 1917, Bishop saw the remaining four sculptures in the Hsi-an museum where he was told that the reliefs of Curly and Autumn Dew had been taken to Beijing by the military government. The latter sculptures were purchased by the University of Pennsylvania Museum from the New York dealer C. T. Loo in 1918.

The T'ang horses continued to be surrounded by controversy after their arrival at the Museum. Disputes about the authenticity of the sculptures and whether they represented the seventh-century originals or later reproductions persisted through the 1920's and 1930's. (see "In Defence of the Horses of T'ang T'ai-Tsung", by Helen E. Fernald in the folder "Horses of T'ang T'ai-Tsung.") The legal and moral justifiability of the acquisition of the sculptures by the University of Pennsylvania Museum was also questioned particularly when it was discovered that the inscription accompanying the four sculptures remaining in Hsi-an claimed that the T'ang sculptures in the University of Pennsylvania Museum had been removed from China at the instigation of an American imperialist presumed to be Bishop. In 1978, Derk Bodde presented to Chang Yu-lang, Deputy Director of the Shanxi Provincial Bureau of Culture, documentation that the sculptures had been purchased by a New York dealer and that C. W. Bishop had played no role in their removal from China.

With the exception of early trips by William H. Furness, Alfred C. Harrison and Hiram M. Hiller in 1895 and some "archeaological reconnaissance" by Carl W. Bishop, no excavations in China have been conducted by the museum. Almost all of the collections were assembled through purchase and donations. George Byron Gordon, Assistant Curator of the General Ethnology section of the museum from 1903 until his appointment as Director in 1910 devoted considerable time and energy to acquiring Asian antiquities worthy of museum display. It was Gordon who recruited Carl W. Bishop in 1914.

Following the death of George Byron Gordon, Eldridge R. Johnson, founder of the Victor Talking Picture Company, presented the Gordon Memorial to the museum. This gift included magnificent carvings on semi-precious stone, eventually displayed at the Philadelphia Museum of Art, and the famous Crystal Ball a treasure of the Imperial Palace in Peking.

George B. Gordon was succeeded as Assistant Curator by Carl W. Bishop (1914-1918). Following Bishop's tenure the Asian section has had a succession of curators with gaps between service when the section was represented by a Research Consultant or Keeper of the collection.

Biography/History

Helen Elizabeth Fernald was born in 1891 in Baltimore, Maryland and died in 1964. Fernald attended high school in Amherst, Massachusetts where she graduated in 1910. Going on to receive her A.B. from Mount Holyoke in South Hadley, MA in 1914, Fernald was both an O.B.K. and Mary Lyon Scholar in Art and Archeology in Zoology. After graduation, Fernald attended art school at the Art Students League in New York City, from 1914-1915. While attending art school, Fernald worked as an artist and technician in the Department of Zoology at Columbia University. This position was held for three years, from 1915-1918. During this time, Fernald did her graduate work at Columbia Teachers’ College from 1916-1918. Then, from 1918-1921, Fernald became both an Instructor and Demonstrator in History of Art at Bryn Mawr College. During her three years at Bryn Mawr from 1918-1921, Fernald also did graduate work at the institution.

From 1921-1935 Fernald was an employee of The University Museum in Philadelphia, PA. From 1921-1925, she was the head of the Educational Department. From 1925-1930, Fernald was the Assistant Curator of Far Eastern Art and from 1930-1935, she was the Curator.

In the summer of 1921, Fernald traveled abroad to Italy, Switzerland, France, and England. Because of this, she was unable to start her new position at The University Museum until September as head docent. Much of her time was spent looking for Far Eastern art pieces for the museum’s collection. Once Fernald became the Assistant Curator of Far Eastern Art, she was sent to study in Museums and Private Collections in Paris, at the British Museum in London and attended the International Congress of Oriental Societies at Oxford in 1928. Fernald’s time was spent looking at collections, lecturing and writing. At this time, Fernald was a member of both the American Oriental Society and the Philadelphia Art Alliance. During this time in Paris, Fernald was searching for frescoes and visited many private collections, especially the collection of Mr. C.T. Loo. In April of 1929, Fernald was approved to go to China, and so, from June-December of 1929, she was sent by the museum to Japan, Korea, and China to study collections or conduct scientific research. Despite the summer heat, Fernald managed to have a successful trip for the museum.

From 1932-1935, Fernald taught two courses at the museum: Series of seven Round Table Talks and Chinese Painting Seminar as well as teaching 23 lectures illustrated with lantern slides, called “Talks on Art Appreciation and History.” Upon leaving the museum in 1935, Fernald set out for Orlando, Florida where she corresponded with the museum sparingly for the next two years.

Fernald was most known for being a writer, art educator, painter, and lecturer and is remembered by numerous publications in The Museum Journal, various newspaper articles and reviews, lectures, and several books.

Scope and Contents

The textual records from the Asian Section collection series consists of 1.6 linear feet of correspondence and receipts. The records have been compiled from donors from 1890 to 1969.

The collection consists primarily of letters, correspondence, shipping information, invoices, insurance data, and receipts of artifacts bought or exhibited by the Museum, or donated to the Museum as well as background information on the artifacts. Notable donors as well as correspondents include Stewart Culin, William Pepper, Phoebe Hearst, and Worch of Paris, C.T. Loo, and Yamanaka and Co..

There is also a translation of the text “Discriptive (sic) of the Illustrations of the 47 Ronins,” collection No. 639.

Other Museum Archives records related to this collection can be found in: Carl W. Bishop papers and Helen E. Fernald papers.

Scope and Contents

The textual records from the Asian Section collection series consists of 1.6 linear feet of correspondence and receipts. The records have been compiled from donors from 1890 to 1969.

The collection consists primarily of letters, correspondence, shipping information, invoices, insurance data, and receipts of artifacts bought or exhibited by the Museum, or donated to the Museum as well as background information on the artifacts. Notable donors as well as correspondents include Stewart Culin, William Pepper, Phoebe Hearst, and Worch of Paris, C.T. Loo, and Yamanaka and Co..

There is also a translation of the text “Discriptive (sic) of the Illustrations of the 47 Ronins,” collection No. 639.

Other Museum Archives records related to this collection can be found in: Carl W. Bishop papers and Helen E. Fernald papers.

Scope and Contents

The Helen E. Fernald papers consist of two archival boxes of textual material of 0.8 linear feet. These boxes make of one series: correspondence, which are contained in eleven folders. The records have been compiled to and from Helen E. Fernald in chronological order.

The correspondence, dated from 1921-1937, consist primarily of letters to and from Helen E. Fernald regarding collections, lectures Fernald taught, articles she published, and her day-to-day activity while abroad as well as statements of expense accounts and receipts from abroad.

Administrative Information

Publication Information

University of Pennsylvania: Penn Museum Archives,  08/14/12

Publication Information

University of Pennsylvania: Penn Museum Archives,  08/14/12

Publication Information

University of Pennsylvania: Penn Museum Archives,  6/27/2012

Finding Aid Author

Finding aid prepared by Gina Gariffo

Finding Aid Author

Finding aid prepared by Gina Gariffo

Finding Aid Author

Finding aid prepared by Gina Gariffo

Revision Description

 5/22/13

Revision Description

 5/22/13

Revision Description

 5/9/13

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Controlled Access Headings

Corporate Name(s)
  • Worch of Paris .
  • Yamanaka and Co..
Personal Name(s)
  • Bishop, Carl Whiting, b. 1881-d.1942
  • Fernald, Helen Elizabeth, b. 1921-d. 1937
  • Getz, John, b. 1853?
  • Hearst, Phoebe Apperson, 1842-1919
  • Johnson, Eldridge Reeves, b. 1867-d. 1945
  • Loo, C.T., b.1880-d.1957
  • Lyons, Elizabeth, b. 1912-d. 1989
  • McCartee, Divie Bethune, Dr., b. 1820-d.1900
  • Pepper, William, 1843-1898
  • Scott, Alexander
  • Scott, Hugh, Senator, b. 1900-D.1994
  • Stevenson, Sara Yorke, 1847-1921
  • Wanamaker, John, 1838-1922

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Controlled Access Headings

Corporate Name(s)
  • Worch of Paris .
  • Yamanaka and Co..
Personal Name(s)
  • Bishop, Carl Whiting, b. 1881-d.1942
  • Fernald, Helen Elizabeth, b. 1921-d. 1937
  • Getz, John, b. 1853?
  • Hearst, Phoebe Apperson, 1842-1919
  • Johnson, Eldridge Reeves, b. 1867-d. 1945
  • Loo, C.T., b.1880-d.1957
  • Lyons, Elizabeth, b. 1912-d. 1989
  • McCartee, Divie Bethune, Dr., b. 1820-d.1900
  • Pepper, William, 1843-1898
  • Scott, Alexander
  • Scott, Hugh, Senator, b. 1900-D.1994
  • Stevenson, Sara Yorke, 1847-1921
  • Wanamaker, John, 1838-1922
Subject(s)
  • Art history
  • Material culture
  • Tang horses

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Controlled Access Headings

Corporate Name(s)
  • Yamanaka and Co..
Form/Genre(s)
  • Correspondence
Personal Name(s)
  • Bishop, Carl Whiting, b. 1881-d.1942
  • Fernald, Helen E., 1921-1964
  • Gordon, G. B. (George Byron), 1870-1927
  • Jayne, Horace Howard Furness, 1898-1975
  • Loo, C.T., b.1880-d.1957
Subject(s)
  • Antiquities
  • Art history

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Collection Inventory

Administration, 1894-1927.

Box

Stewart Culin-Sara Yorke Stevenson correspondence, 1890-1902.

1

Stewart Culin-section reports 1899-1902.

1

Stewart Culin-exhibits.

1

General, 1901-1975.

1

John Getz-correspondence, 1912-1920.

1

John Getz-Porcelain list.

1

Cammann hiring, 1947-1949.

1

Sales-object information, 1942-1969.

1

Sales controversy, 1958-1974.

1

Freer Gallery-repair/analysis, 1961-1963.

1

Chinese jade exhibit 1962-1963 (1 of 3).

1

Chinese jade exhibit 1962-1963 (2 of 3).

1

Chinese jade exhibit 1962-1963 (3 of 3).

1

Senator Hugh Scott exhibit 1967.

1

Textile deaccession 1969.

1

Elizabeth Lyons 1969.

1

Chinese porcelain sale 1970-1977.

1

Chinese objects sale 1974 (1 of 3).

1

Chinese objects sale 1974 (2 of 3).

1

Chinese objects sale 1975 (3 of 3).

1

Chinese scroll sale 1975-1976.

2

Netsuke sale 1975-1977.

2

Sales-Sotheby Parke Bernet, 1968-1976.

2

Sales-Freeman 1969-1970 (1 of 2).

2

Sales-Freeman 1970-1977 (2 of 2).

2

Sales-Christie's 1975.

2

Collections.

Box

Belfield, T. Broom, 1927-1976 (Bulk, 1927) .

2

Bell, Laura 1939.

2

Bowles, Gordon, 1932-1942.

2

Braddock, Charles 1906.

2

Chait, Ralph (1 of 2), 1922-1932.

2

Chait, Ralph (2 of 2), 1933-1939.

2

Cochrane, Constance 1962.

2

Commercial Museum, 1933-1940.

2

Crawford, Joseph, 1894-1897.

2

Duveen Brothers 1915-1916.

2

Duveen Brothers 1917-1918.

3

Duveen Brothers 1918-1932.

3

Duveen Brothers Misc. Undated lists..

3

Edmunds, Albert J. 1898.

3

Ehrenfels, Dr. U.R. 1950.

3

Farnum, George L. and J. Edward 1898.

3

Forman, Martin 1963.

3

Fuller, Mrs. Lawrence C. 1976.

3

Getz, Edward, 1914-1917.

3

Gresham, Lt. Col. William A. 1966.

3

Haines Jr., Robert B. 1898.

3

Harden, John H. 1892.

3

Hayakawa, R. (J.K. Matumoto).

2

Hearst, Phoebe 1896.

3

Hoffman, William G., 1953-1954.

3

Huang, T.M., 1912-1916.

3

Johnson, Eldridge 1928.

3

Kevorkian, H. 1940.

3

Knight, Dr. Albert P. 1961.

3

Kuki, R. 1895.

3

Kusakabe, K. 1915.

3

Kwan Vok Tsoo.

3

Landis, Eli Barr M.D., 1890-1898.

3

Leaming, Thomas 1900.

3

Livingston, Katherine 1898.

3

Long, Dr. Esmond R. 1955.

3

Loo, C.T. (Lai-Luan and Co.) 1915-1916.

3

Loo, C.T. 1917-1918.

3

Loo, C.T. 1919-1921.

4

Loo, C.T. 1922-1924.

4

Loo, C.T. 1925.

4

Loo, C.T. 1926.

4

Loo, C.T. 1927-1928.

4

Loo, C.T. 1929-1937.

4

Loo, C.T. 1938-1940.

4

Loo, C.T. T'ang Horses 1918-1928.

4

Loo, C.T. T'ang Horses 1970-1988.

4

Lyman, Benjamin Smith (Dr. D.B. McCartee), 1900-1902.

4

Lyne, Henry 1969.

4

Macauley, L.C., 1895-1896.

4

Mason, O. T. 1892.

4

Mayer Collection Scythian bronzes.

5

Metcalfe Collection, 1930-1935.

5

Mirick, Henry D. 1966.

5

Mitchell, J. Clayton 1942.

5

Morse, Edwin J. 1895.

5

Mumford, E. N.

5

Naguchi, Hideyo.

5

Otaki, Harumasa, 1901-1902.

5

Pepper, William 1891.

5

Roberts, Graham.

5

Salada Tea Company, 1960-1962.

5

Scott, Alexander 1914-1915.

5

Scott, Alexander 1916.

5

Scott, Alexander 1917-1919.

5

Scott, Alexander 1920-1924.

5

Scott, Alexander 1925-1948.

5

Scott, Alexander Accounts 1915-1921.

5

Scott, Alexander Indian Collection (1 of 2).

5

Scott, Alexander Indian Collection (2 of 2).

5

Scott, Alexander Tibetan Collection (1 of 3).

5

Scott, Alexander Tibetan Collection (2 of 3).

5

Scott, Alexander Tibetan Collection (3 of 3).

5

Service, Robert R. Collection 1950.

5

Shufeldt, Mary 1899.

5

Sickman, Laurence, 1968-1971.

5

Spink and Son, Ltd., 1914-1915.

5

Starr, Edward 1896.

5

Stevenson, Cornelius 1900.

5

Stevenson, Sara Y. 1897.

5

Stoney, Dr. F. J. W. 1898.

5

Thomson, Harry C., 1891-1899.

5

Ton-Ying and Co., 1921-1926.

5

Turner, James H., 1970-1971.

5

Tyndale, Robinson 1897.

6

Vignier, M. Charles, 1919-1924.

6

Wanamaker, John, 1921-1927.

6

Weinstein, Dr. Philip, 1965-1966.

6

Williams, Edward H. 1890.

6

Wright, Joseph, 1901-1902.

6

Worch of Paris (1 of 3), 1908-1922.

6

Worch of Paris (2 of 3), 1923-1925.

6

Worch of Paris (3 of 3), 1925-1948.

6

Yamanaka and Co. (1 of 3), 1899-1924.

6

Yamanaka and Co. (2 of 3), 1925-1936.

6

Yamanaka and Co. (3 of 3), 1938-1942.

6

Yokoyama, K. 1916.

6

Miscellaneous.

6

Samurai notes.

6

Horseman relief of Kashmir.

6

Indian Collection receipts 1912,1925.

6

Manuscript and notes on collections.

6
Drawer

Mc Cartee rubbings.

M 6-7
Box

Loo, C.T. Johnson Collection jades 1929-1931.

4
Drawer

T'ang horse drawings.

M 8-9

Collection Inventory

Administration, 1894-1927.

Box

Stewart Culin-Sara Yorke Stevenson correspondence, 1890-1902.

1

Stewart Culin-section reports 1899-1902.

1

Stewart Culin-exhibits.

1

General, 1901-1975.

1

John Getz-correspondence, 1912-1920.

1

John Getz-Porcelain list.

1

Cammann hiring, 1947-1949.

1

Sales-object information, 1942-1969.

1

Sales controversy, 1958-1974.

1

Freer Gallery-repair/analysis, 1961-1963.

1

Chinese jade exhibit 1962-1963 (1 of 3).

1

Chinese jade exhibit 1962-1963 (2 of 3).

1

Chinese jade exhibit 1962-1963 (3 of 3).

1

Senator Hugh Scott exhibit 1967.

1

Textile deaccession 1969.

1

Elizabeth Lyons 1969.

1

Chinese porcelain sale 1970-1977.

1

Chinese objects sale 1974 (1 of 3).

1

Chinese objects sale 1974 (2 of 3).

1

Chinese objects sale 1975 (3 of 3).

1

Chinese scroll sale 1975-1976.

2

Netsuke sale 1975-1977.

2

Sales-Sotheby Parke Bernet, 1968-1976.

2

Sales-Freeman 1969-1970 (1 of 2).

2

Sales-Freeman 1970-1977 (2 of 2).

2

Sales-Christie's 1975.

2

Collections.

Box

Belfield, T. Broom, 1927-1976 (Bulk, 1927) .

2

Bell, Laura 1939.

2

Bowles, Gordon, 1932-1942.

2

Braddock, Charles 1906.

2

Chait, Ralph (1 of 2), 1922-1932.

2

Chait, Ralph (2 of 2), 1933-1939.

2

Cochrane, Constance 1962.

2

Commercial Museum, 1933-1940.

2

Crawford, Joseph, 1894-1897.

2

Duveen Brothers 1915-1916.

2

Duveen Brothers 1917-1918.

3

Duveen Brothers 1918-1932.

3

Duveen Brothers Misc. Undated lists..

3

Edmunds, Albert J. 1898.

3

Ehrenfels, Dr. U.R. 1950.

3

Farnum, George L. and J. Edward 1898.

3

Forman, Martin 1963.

3

Fuller, Mrs. Lawrence C. 1976.

3

Getz, Edward, 1914-1917.

3

Gresham, Lt. Col. William A. 1966.

3

Haines Jr., Robert B. 1898.

3

Harden, John H. 1892.

3

Hayakawa, R. (J.K. Matumoto).

3

Hearst, Phoebe 1896.

3

Hoffman, William G., 1953-1954.

3

Huang, T.M., 1912-1916.

3

Imperial Museum, Japan 1893-1895 (Kuki, R.).

3

Johnson, Eldridge 1928.

3

Kevorkian, H. 1940.

3

Knight, Dr. Albert P. 1961.

3

Kusakabe, K. 1915.

3

Kwan Vok Tsoo.

3

Landis, Eli Barr M.D., 1890-1898.

3

Leaming, Thomas 1900.

3

Livingston, Katherine 1898.

3

Long, Dr. Esmond R. 1955.

3

Loo, C.T. (Lai-Luan and Co.) 1915-1916.

3

Loo, C.T. 1917-1918.

3

Loo, C.T. 1919-1921.

4

Loo, C.T. 1922-1924.

4

Loo, C.T. 1925.

4

Loo, C.T. 1926.

4

Loo, C.T. 1927-1928.

4

Loo, C.T. 1929-1937.

4

Loo, C.T. 1938-1940.

4

Loo, C.T. T'ang Horses 1918-1928.

4

Loo, C.T. T'ang Horses 1970-1988.

4

Lyman, Benjamin Smith (Dr. D.B. McCartee), 1900-1902.

4

Lyne, Henry 1969.

4

Macauley, Francis C., 1895-1896.

4

Mason, O. T. 1892.

4

Mayer Collection Scythian bronzes.

5

Metcalfe Collection, 1930-1935.

5

Mirick, Henry D. 1966.

5

Mitchell, J. Clayton 1942.

5

Morse, Edwin J. 1895.

5

Mumford, E. N.

5

Naguchi, Hideyo.

5

Otaki, Harumasa, 1901-1902.

5

Pepper, William 1891.

5

Roberts, Graham.

5

Salada Tea Company, 1960-1962.

5

Scott, Alexander 1914-1915.

5

Scott, Alexander 1916.

5

Scott, Alexander 1917-1919.

5

Scott, Alexander 1920-1924.

5

Scott, Alexander 1925-1948.

5

Scott, Alexander Accounts 1915-1921.

5

Scott, Alexander Indian Collection (1 of 2).

5

Scott, Alexander Indian Collection (2 of 2).

5

Scott, Alexander Tibetan Collection (1 of 3).

5

Scott, Alexander Tibetan Collection (2 of 3).

5

Scott, Alexander Tibetan Collection (3 of 3).

5

Service, Robert R. Collection 1950.

5

Shufeldt, Mary 1899.

5

Sickman, Laurence, 1968-1971.

5

Spink and Son, Ltd., 1914-1915.

5

Starr, Edward 1896.

5

Stevenson, Cornelius 1900.

5

Stevenson, Sara Y. 1897.

5

Stoney, Dr. F. J. W. 1898.

5

Thomson, Harry C., 1891-1899.

5

Ton-Ying and Co., 1921-1926.

5

Turner, James H., 1970-1971.

5

Tyndale, Robinson 1897.

6

Vignier, M. Charles, 1919-1924.

6

Wanamaker, John, 1921-1927.

6

Weinstein, Dr. Philip, 1965-1966.

6

Williams, Edward H. 1890.

6

Wright, Joseph, 1901-1902.

6

Worch of Paris (1 of 3), 1908-1922.

6

Worch of Paris (2 of 3), 1923-1925.

6

Worch of Paris (3 of 3), 1925-1948.

6

Yamanaka and Co. (1 of 3), 1899-1924.

6

Yamanaka and Co. (2 of 3), 1925-1936.

6

Yamanaka and Co. (3 of 3), 1938-1942.

6

Yokoyama, K. 1916.

6

Miscellaneous.

6

Samurai notes.

6

Horseman relief of Kashmir.

6

Indian Collection receipts 1912,1925.

6

Manuscript and notes on collections.

6
Drawer

Mc Cartee rubbings.

M 6-7
Box

Loo, C.T. Johnson Collection jades 1929-1931.

4
Drawer

T'ang horse drawings.

M 8-9

Collection Inventory

Fernald, Helen Elizabeth, b. 1921-d. 1937. Correspondence, 1921-1937 (Bulk, 1921-1935) .

Biographical/Historical note

Helen Elizabeth Fernald was born in 1891 in Baltimore, Maryland and died in 1964. Fernald attended high school in Amherst, Massachusetts where she graduated in 1910. Going on to receive her A.B. from Mount Holyoke in South Hadley, MA in 1914, Fernald was both an O.B.K. and Mary Lyon Scholar in Art and Archeology in Zoology. After graduation, Fernald attended art school at the Art Students League in New York City, from 1914-1915. While attending art school, Fernald worked as an artist and technician in the Department of Zoology at Columbia University. This position was held for three years, from 1915-1918. During this time, Fernald did her graduate work at Columbia Teachers’ College from 1916-1918. Then, from 1918-1921, Fernald became both an Instructor and Demonstrator in History of Art at Bryn Mawr College. During her three years at Bryn Mawr from 1918-1921, Fernald also did graduate work at the institution.

From 1921-1935 Fernald was an employee of The University Museum in Philadelphia, PA. From 1921-1925, she was the head of the Educational Department. From 1925-1930, Fernald was the Assistant Curator of Far Eastern Art and from 1930-1935, she was the Curator.

In the summer of 1921, Fernald traveled abroad to Italy, Switzerland, France, and England. Because of this, she was unable to start her new position at The University Museum until September as head docent. Much of her time was spent looking for Far Eastern art pieces for the museum’s collection. Once Fernald became the Assistant Curator of Far Eastern Art, she was sent to study in Museums and Private Collections in Paris, at the British Museum in London and attended the International Congress of Oriental Societies at Oxford in 1928. Fernald’s time was spent looking at collections, lecturing and writing. At this time, Fernald was a member of both the American Oriental Society and the Philadelphia Art Alliance. During this time in Paris, Fernald was searching for frescoes and visited many private collections, especially the collection of Mr. C.J. Loo.

In April of 1929, Fernald was approved to go to China, and so, from June-December of 1929, she was sent by the museum to Japan, Korea, and China to study collections or conduct scientific researches. Despite the summer heat, Fernald managed to have a successful trip for the museum.

From 1932-1935, Fernald taught two courses at the museum: Series of seven Round Table Talks and Chinese Painting Seminar as well as teaching 23 lectures illustrated with lantern slides, called “Talks on Art Appreciation and History.” Upon leaving the museum in 1935, Fernald set out for Orlando, Florida where she corresponded with the museum sparingly for the next two years.

Fernald was most known for being a writer, art educator, painter, and lecturer and is remembered by numerous publications in The Museum Journal, various newspaper articles and reviews, lectures, and several books.

Controlled Access Headings
Personal Name(s)
  • Fernald, Helen E., 1921-1964
Box

1921-1926.

1

1927.

1

1928.

1

1929.

1

1930.

1

1931.

1

1932.

1

1933.

2

1934.

2

1935.

2

1929-1937.

2