University of Pennsylvania Finding Aids

This collection contains correspondence between Robert Montgomery Bird, his wife Mary E. Bird, their son Frederic Mayer Bird, and other family members. It provides accounts of daily life in New Castle, Delaware and Philadelphia, Pennsylvania during the 19th century.

Comprises personal, business, literary, and family papers. In addition to Bird's own papers, this collection includes papers of his wife Mary E. Bird, his son Frederic Mayer Bird, and his biographer Clement Edgar Foust. The earliest papers (1822) date from Bird's school days at Germantown Academy, and the very latest papers (1946) relate to C. Seymour Thompson's publication of Mary E. Bird's biography of her husband. Correspondents include men and women from Bird's career in medicine; his literary career; his theatrical career (including correspondence with Edwin Forrest, as well as the documentation regarding their legal battle over copyrights and profits); his political career; and his career in publishing and journalism.

The H.H. Furness Memorial Library focuses on the study of Shakespeare and other Tudor and Stuart dramatists. Horace Howard Furness (1833-1912) and his son Horace Howard Furness Jr. (1865-1930) founded and edited the Variorum Shakespeare and their library was donated to the University of Pennsylvania in 1932. This collection contains personal correspondence to and from Rev. William Henry Furness (1802-1896), Horace Howard Furness, and Horace Howard Furness, Jr., largely relating to Shakespearean study and the H.H. Furness Memorial library; notebooks; copies of speeches and articles; and other assorted items relating to Shakespearean scholarship or to the Furness family.

The "Theatricals in Philadelphia" scrapbooks consists of a set of 15 scrapbooks on theatrical subjects and contains programs, playbills, newspaper clippings, images, and portraits of artists of the stage, dating from the second half of the 19th century. These materials mostly relate to theaters and other performing venues located in Philadelphia, although there are also some items from New York, Boston, and other U.S. cities. Because of its extent (about 3,500 pages), its chronological and geographical focus, the richness of its materials, and the breadth of theatrical genres covered in the scrapbooks, this collection represents a unique and invaluable resource for anyone interested in the theatrical and cultural history of Philadelphia in the second half of the 19th century.