University of Pennsylvania Finding Aids

Dr. Irving Stein (1906-2000) was an orthopedic surgeon and professor at the University of Pennsylvania, who also served on the board of the Philadelphia Orchestra. This collection documents his relationship with Eugene Ormandy (1899-1985), the conductor of the Philadelphia Orchestra, and his efforts to memorialize Ormandy's accomplishments following his death.

Eugene Ormandy (1899-1985), was a violinist and conductor, best known for his 44-year association with the Philadelphia Orchestra. This collection consists of 663 sound recordings, largely of classical music performed by the Philadelphia Orchestra, conducted by Eugene Ormandy. The collection is arranged in alphabetical order by composer, or occasionally by the title of the recording when multiple composers or a themed recording was created.

Herman Goldner (1891-1982) was a businessman of Jewish origins belonging to a musical family from Vienna, Austria. This collection of music programs and ephemera includes more than 400 programs from Vienna (bulk), England, France, Germany, and the United States, as well as about 70 admission ticket stubs, and a small number of clippings and publications.

James DePreist (1936-2013) was an African-American conductor of international renown. This collection primarily documents James DePreist's conducting career, with a focus on the 1980s and 1990s with the Oregon Symphony, including organizational records, concert programs, press coverage, scores, and recordings.

The records primarily consist of correspondence with authors, editorial staff, employees of the William Byrd Press, and officers of the American Musicological Society; copies of many issues of the Journal at various stages in th e publication process; and business records. The most prominent figures in the collection are the editors of the Journal; musicologists Oliver Strunk, Donald Grout, Lewis Lockwood, James Haar, Martin Picker, Don Randel, Lawrence Bernstein, Nicholas Temperley, Ellen Rosand, and Richard Kramer are also well represented.

Leopold Anthony Stokowski was born April 18, 1882 in London and become one of the best-known conductors of the 20th century. Stokowski conducted symphony orchestras across the world from 1909 until his death in 1977. This collection consists of original sound recordings on sound reels, audio cassettes, cds, and long playing records. It is believed that the majority document Stokowski's conducting career from 1917 to 1977 and that very few were professional recordings. Original sound recordings are restricted from use and researchers wishing to obtain a copy of the original will be financially responsible for the reformatting costs.

The collection comprises the personal papers of Alma Mahler, the personal and professional papers of Franz Werfel, memorabilia related to Gustav Mahler, and the research files of Adolf D. Klarmann concerning Franz Werfel. Materials include correspondence to and from Alma Mahler and Franz Werfel, as well as to and from Adolf Klarmann, sometimes on behalf of Alma; writings of Alma, such as diaries and memoirs, as well as her musical compositions; writings of Werfel, such as poems, plays, novels, novellas and stories, and essays; memorabilia relating to Alma, her parents, Gustav Mahler, and Werfel, such as clippings, programs, and personal documents; photographs; and audio files, such as interviews and songs. Also included are Klarmann’s research notes and writings on Werfel, as well as material relating to Klarmann’s work as editor of Werfel’s writings.

The Marlboro Music School and Festival Records spans Marlboro’s history from 1950 through 2013 and showcases its influence on chamber music in America as it documents its growth from a small and informally organized summer school in the early 1950s to its current status as a prestigious institution that has shaped careers and inspired the formation of numerous renowned ensembles. The school's emphasis is on the intensive study of chamber music where young and senior professionals collaborate in a relaxed atmosphere that is removed from the demanding rehearsal and performance schedules that they face throughout the year. The collection comprises administrative documents, concert programs, printed promotional materials, articles and reviews, photographs, and audio-visual materials relating to the Marlboro School of Music and annual summer festival as well as the related Musicians from Marlboro touring series and the Marlboro Recording Society.

This is a collection of miscellaneous music material, including manuscript scores, printed scores, and printed sheet music. In addition to the music material, there is a letter and a photograph which were sent to Benedict Nenninger.

Otto Edwin Albrecht (1899-1984) was an internationally known music bibliographer and professor of romance languages and musicology at the University of Pennsylvania. This collection documents his professional career and contains extensive information on his research relating to the history of music in Boston, New York and Philadelphia, the location of European music manuscripts in the United States, and his work identifying sources for Répertoire International des Sources Musicales; his work with music organizations including the American Musicological Society and the Music Library Association; and his work at and for the University of Pennsylvania's Music Library.

Richard Wernick (born 1934) is an American composer and professor of music composition, working at the University of Pennsylvania from 1968 to 1996. This collection documents Wernick's professional life and includes scores, professional material, concert programs, articles collected by Wernick, recordings of works by Wernick and others, and photographs.

Much of the unusual and complicated history of Max Bruch's Concerto for two pianos and orchestra, op. 88a, may be traced through this collection of music manuscripts. The collection consists primarily of full orchestral scores, duo piano parts, orchestral parts, and supplementary material for the Concerto for two pianos and orchestra, op. 88a, by Max Bruch. Also some unrelated transcriptions and arrangements. All materials are in manuscript. These materials were heavily altered and used for performance between 1915 and 1917 by duo pianists Rose and Ottilie Sutro. Subsequently, they were collected by pianist Nathan Twining from the auction of the effects of pianist Ottilie Sutro in Baltimore, MD, in 1971, and used in his reconstruction of the piece. Also included are orchestral parts prepared by Twining for his recording of the Concerto with pianist Martin Berkofsky and the London Symphony Orchestra released in 1974.

Rudolf Serkin (1903-1991) was a pianist who is widely regarded as one of the greatest Beethoven interpreters of the 20th century. He was the director of the Curtis Institute of Music in Philadelphia from 1968 to 1976 and founded the Marlboro School of Music in Vermont. James H. Heineman was the director of the the Heineman Foundation from the mid 1960s through the 1980s and was a donor to the Marlboro School of Music and Festival. This collection contains correspondence, ephemera, and newspaper clippings. The correspondence is between Rudolf "Rudi" Serkin, Irene Serkin and James "Jimmy" H. Heineman and dates from 1948 to 1991.

Rudolf Serkin (1903-1991) was an American classical pianist known as one of the 20th century’s greatest soloists and for fostering a vibrant culture of chamber music via the Marlboro Music School and Festival. The papers consist mainly of materials collected by Serkin himself (including his personal correspondence, performance records, papers relating to Marlboro, Curtis Institute of Music, and the Institute for Young Performing Musicians) as well as a small amount of related material added by his wife and his biographers.